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- Sorin Bangu (2006). Pythagorean Heuristic in Physics. Perspectives on Science 14 (4):387-416.: Some of the great physicists' belief in the existence of a connection between the aesthetical features of a theory (such as beauty and simplicity) and its truth is still one of the most intriguing issues in the aesthetics of science. In this paper I explore the philosophical credibility of a version of this thesis, focusing on the connection between the mathematical beauty and simplicity of a theory and its truth. I discuss a heuristic interpretation of this thesis, attempting to clarify where the appeal of this Pythagorean view comes from and what are the arguments favoring its acceptance or rejection. Along the way, I sketch the historical context in which this heuristic interpretation gained credibility (the quantum crisis in physics in the 1920s), as well as the more general implications of this thesis for physicists' metaphysical outlook.
Modernity cloaks the authentic character of modern physics whenever discoveries entertain us or we judge theory by its use. Those who justify physics education through an appeal to its utility, or who reject truth as an aspect of physics, relativists and constructivists, misunderstand the nature of physics. Demonstrations, not experiments, reveal the essence of physics as two characteristic engagements with truth. First, truth in its guise as correspondence enables a human being to prepare for the distinctive event of physics.
Second, the event of physics occurs in human perception when someone forces a hidden reality to disclose an aspect of itself. Thus, the ground of physics is our human involvement with reality achieved by way of truth.
To support this account of physics, the thesis reports phenomenological investigations into Isaac Newton’s involvement with optics and a secondary school physics laboratory. These involve interpretations of Heidegger’s theory of beings, schema and signification. The project draws upon, and contributes to, the hermeneutic phenomenology of modern physics, a tradition in continental philosophy that begins with Immanuel Kant, and advances particularly from Martin Heidegger to Patrick Heelan.
The thesis advocates an ontological pedagogy for modern physics which has as its purpose each individual student’s engagement with reality and truth. Students may achieve this through demonstrations of phenomena that will enable them to dwell with physics, an experience that contrasts with their embroilment in modernity, and which perpetuates nature’s own science.
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