Habermas and the Specificity of the Aesthetic
Symposium 7 (1):87-98 (2003)
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Geoff Boucher (2010). Enjoyment as an Aesthetic Factor: The Specificity of the Aesthetic in Late Marxism. Parallax 16 (4):29-44.
Jason L. Powell (ed.) (2012). Habermas. Nova Science Publishers.
Pauline Johnson (2001). Distorted Communications: Feminism's Dispute with Habermas. Philosophy and Social Criticism 27 (1):39-62.
Kathleen Kelley (2012). Faithful Mechanisms. Angelaki 17 (4):23 - 37.
Jason Gaiger (2009). Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy. British Journal of Aesthetics 49 (1):43-58.
Kenneth H. Tucker (1993). Aesthetics, Play, and Cultural Memory: Giddens and Habermas on the Postmodern Challenge. Sociological Theory 11 (2):194-211.
Fay Zika (2005). Tactile Relief: Reconsidering Medium and Modality Specificity. British Journal of Aesthetics 45 (4):426-437.
Jennifer A. McMahon (2011). Aesthetic Autonomy and Praxis: Art and Language in Adorno and Habermas. International Journal of Philosophical Studies 19 (2):155 - 175.
Haina Zhang, Malcolm H. Cone, André M. Everett & Graham Elkin (2011). Aesthetic Leadership in Chinese Business: A Philosophical Perspective. Journal of Business Ethics 101 (3):475-491.
Vojko Strahovnik (2004). The Riddle of Aesthetic Principles. Acta Analytica 19 (33):189-208.
Malcolm Budd (2008). Aesthetic Essays. Oxford University Press.
Stale R. S. Finke (2000). Habermas and Kant: Judgement and Communicative Experience. Philosophy and Social Criticism 26 (6):21-45.
Sinéad Murphy (2010). Effective History: On Critical Practice Under Historical Conditions. Northwestern University Press.
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