Off-campus access
Using PhilPapers from home?
Click here to configure this browser for off-campus access.
- Renaud Barbaras (2001). Merleau-Ponty and Nature. Research in Phenomenology 31 (1):22-38.The course on nature coincides with the re-working of Merleau-Ponty's breakthrough towards an ontology and therefore plays a primordial role. The appearance of an interrogation of nature is inscribed in the movement of thought that comes after the Phenomenology of Perception. What is at issue is to show that the ontological mode of the perceived object - not the unity of a positive sense but the unity of a style that shows through in filigree in the sensible aspects - has a universal meaning, that the description of the perceived world can give way to a philosophy of perception and therefore to a theory of truth. The analysis of linguistic expression to which the philosophy of perception leads opens out onto a definition of meaning as institution, understood as what inaugurates an open series of expressive appropriations. It is this theory of institution that turns the analysis of the perceived in the direction of a reflection on nature: the perceived is no longer the originary in its difference from the derived but the natural in its difference from the instituted. Nature is the "non-constructed, non-instituted," and thereby, the source of expression: "nature is what has a sense without this sense having been posited by thought." The first part of the course, which consists in a historical overview, must not be considered as a mere introduction. In fact, the problem of nature is brought out into the open by means of the history of Western metaphysics, in which Descartes is the emblematic figure. The problem consists in the duality - at once unsatisfactory and unsurpassable - between two approaches to nature: the one which accentuates its determinability and therefore its transparency to the understanding; the other which emphasizes the irreducible facticity of nature and tends therefore to valorize the view-point of the senses. To conceive nature is to constitute a concept of it that allows us to "take possession" of this duality, that is, to found the duality. The second part of the course attempts to develop this concept of nature by drawing upon the results of contemporary science. Thus a philosophy of nature is sketched that can be summarized in four propositions: 1) the totality is no less real than the parts; 2) there is a reality of the negative and therefore no alternative between being and nothingmess; 3) a natural event is not assigned to a unique spatio-temporal localization; and 4) there is generality only as generativity.
Similar books and articles
In response to the arguments of Bill McKibben and of Stephen Vogel that nature is at an end and that the very concept of nature should be discarded, I argue that, far from this being the case, the concept of nature is indispensable. A third sense of 'nature' besides the two distinguished by Vogel, that of the nature of an organism, is brought to attention and shown, through five arguments, to be indispensable for environmental philosophy and ethics, and for ethics in general (veterinary and medical ethics included). But it is no coincidence that the same term is used for all three senses of'nature' in many languages. The indispensability of 'nature' in the third sense is used to suggest the indispensability of 'nature' in the second sense (things unaffected by human activity, a sense needed if we are to understand species whether wild or domesticated, because of their evolutionary history, and if we are to distinguish social systems from natural systems), and also of 'nature' in the first sense (things that are not supernatural, a sense needed if we are to ask metaphysical questions about whether 'nature' in this sense and in the other two might have a creator).
Nature as gestalt and melody -- Radical reflection and the resistance of things -- Animality -- The space of intentionality and the orientation of being -- The human-nature chiasm.
Merleau-Ponty’s philosophy attempts to locate meaning-sense-within being. Space and time are thus ingredient in sense. This is apparent in his earlier studies of structure, fields, expression and the body schema, and the linkage of space, time and sense becomes thematic in Merleau-Ponty’s later thinking about institution, chiasm and reversibility. But the space-time-sense linkage is also apparent in his studies of embryogenesis. The paper shows this by reconstructing Merleau-Ponty’s critical analysis of Driesch’s embryology (in the nature lectures) to demonstrate how, for Merleau-Ponty, embryogenesis entails a principle of sense-generation that is irreducible to the plenitude of space or spatial distributions of material, yet is inseparable from being and spatial facts. This principle indicates a ‘depth’ or ‘hollow’ internal to “flat being,” in virtue of which being can create more sense than is yet given. The paper illuminates this ‘depth’ and the role of space in sense by turning to some recent scientific accounts-of bees deciding on new nesting places, of termites building mounds, and of embryogenesis-to suggest how space is inherently ingredient in the genesis of sense. This depends on turning from a concept of space as extensive to place as intensive, for it is the intensity of places, rather than the extensity of already delineated spaces, that affords sense generation.
Though “dwelling” is more commonly associated with Heidegger’s philosophy than with that of Merleau-Ponty, “being-at-home” is in fact integral to Merleau-Ponty’s thinking. I consider the notion of home as it relates to Merleau-Ponty’s more familiar notions of the “lived body” and the “level,” and, in particular, I consider how the unique intertwining of activity and passivity that characterizes our being-at-home is essential to our nature as free beings. I argue that while being-at-home is essentially an experience of passivity—i.e., one that rests in the background of our experience and provides a support and structure for our life that goes largely unnoticed and that is significantly beyond our “conscious” control—being-at-home is also a way of being to which we attain . This analysis of home reveals important psychological insights into the nature of our freedom as well as into the nature of the development of our adult ways of coping and behaving.
Contemporary thought, whether it be in psychology, biology, immunology, philosophy of perception or philosophy of mind, is confronted with the breakdown of barriers between organism and environment, self and other, subject and object, perceiver and perceived. In this paper I show how Merleau-Ponty can help us think about this problem, by attending to a methodological theme in the background of his dialectical conception of embodiment. In La structure du comportement, Merleau-Ponty conceives life as extension folding back upon itself so as to reveal Hegel’s ‘hidden mind of nature.’ In the Phénoménologie de la perception, radical reflection elucidates the body schema as an essence that reveals itself within embodied existence, qua shaping the natural perceptual dialogue in which the perceiver and the perceived permeate and separate from one another. In these two conceptions of embodiment, we progressively see how the dialectical principle of embodiment must reveal and conceive itself within embodiment itself. Science, on the other hand, follows the phenomena of the body to a certain point, but refuses to allow that embodiment is self-conceptual. I illustrate this using the example of dynamic systems theory, an inheritor of the tradition of J.J. Gibson’s ecological psychology. In this way, I show how Merleau-Ponty’s conception of the dialectic of embodiment as self-conceptual is important to problems in contemporary thought.
Maurice Merleau-Ponty was described by Paul Ricoeur as "the greatest of the French phenomenologists." The new essays in this volume examine the full scope of Merleau-Ponty's philosophy, from his central and abiding concern with the nature of perception and the bodily constitution of intentionality to his reflections on science, nature, art, history, and politics. The authors explore the historical origins and context of his thought as well as its continuing relevance to contemporary work in phenomenology, philosophy of mind, cognitive science, biology, art criticism and political and social theory.
In ancient philosophy life has priority: non-living matter is made intelligible by living activity. The modern evolutionary synthesis reverses this priority: life is a passive result of blind, non-living material processes. But recent work in science and philosophy puts that reversal in question, by emphasizing how living beings are self-organizing and active. “Naturalizing” this new emphasis on living activity requires not simply a return to ancient philosophy but a new ontology, a new concept of nature. To explore that ontology, I draw on Merleau-Ponty’s philosophy, studying the link between the organism and its environment, the body and the world, as reflecting a nature in which things are already linked in a moving whole. I focus on the topics of expression and movement, putting Merleau-Ponty into conversation with recent discussions in philosophy of science, especially in immunology and in evolutionary theory, and attending to Bergsonian and Hegelian threads in the background of Merleau-Ponty’s thinking.
This essay traces the development of the concept of style in merleau- ponty's thought as both an aesthetic and an ontological category. the importance of this concept is that what merleau-ponty first noticed as the signifying potential of style in painting develops into a general category descriptive of a more comprehensive aspect of our being-in-the-world. style is crucial for merleau-ponty's thought since it provides a way of describing the foundational field of meaning that perception discloses, and also of characterizing the nature of existential coherence under the conditions of finitude.
This essay argues that Merleau-Ponty’s concept of nature as a “privileged expression” of ontology provides the conceptual support for a more responsible attitude toward humans and nature. Furthermore, this concept of nature needs to be viewed in the light of a more profound concept that opens a new vision of the human being’s place in the world, namely Merleau-Ponty’s fields of perception. Shiva’s writings pertaining to the environment gain a more profound, yet critical, understanding when viewed in this way. Similarly, Merleau-Ponty’s attempts “to reconcile the old world and the new” (MP 1964, 4) through implementation of his phenomenology to political and ethical questions is reviewed anew.
Discussion of Renaud Barbaras, Merleau-ponty and nature
|
|
There are no threads in this forum |
Nothing in this forum yet.

