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- John Barresi & John R. Christie (2002). Using Illusory Line Motion to Differentiate Misrepresentation (Stalinesque) and Misremembering (Orwellian) Accounts of Consciousness. Consciousness and Cognition 11 (2):347-365.It has been suggested that the difference between misremembering (Orwellian) and misrepresentation (Stalinesque) models of consciousness cannot be differentiated (Dennett, 1991). According to an Orwellian account a briefly presented stimulus is seen and then forgotten; whereas, by a Stalinesque account it is never seen. At the same time, Dennett suggested a method for assessing whether an individual is conscious of something. An experiment was conducted which used the suggested method for assessing consciousness to look at Stalinesque and Orwellian distinctions. A visual illusion, illusory line motion, was presented and participants were requested to make judgments that reflected what they were aware of. The participants were able to make responses indicating that they were aware of the actual stimulus in some conditions, but only of the illusion in others. This finding supports a claim that the difference between the Orwellian and Stalinesque accounts may be empirically observable, and that both types of events may occur depending on task and stimulus parameters.
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Any theoretician constructing a serious model of consciousness should carefully assess the details of empirical data generated in the neurosciences and psychology. A failure to account for those details may cast doubt on the adequacy of that model. This paper presents a case in point. Dennett and Kinsbourne's (Dennett, D., & Kinsbourne, M. (1992). Time and the observer: The where and when of consciousness in the brain. Behavioral and Brain Sciences, 15, 183-243) assault on the materialist version of the Cartesian Theater model of the mind relies significantly on the superiority of their Multiple Drafts model of consciousness as an explanation of the phenomenon of metacontrast. However, their description of metacontrast is, in important ways, inadequate. The result is that their explanation of how the Multiple Drafts model handles this phenomenon fails to account for the actual data. In this paper I offer a more complete description of metacontrast, show how Dennett and Kinsbourne's explanation fails, and argue that there are good theoretical reasons for choosing the so-called Stalinesque model over the so-called Orwellian model.
visual masking provides a clear illustration that ‘there is really only a verbal difference’ between two versions of the Cartesian Theater model of the mind. This alleged lack of a distinction is both the crucial premise of their main argument against the Cartesian Theater and a motivator for accepting their own Multiple Drafts model. I argue that metacontrast reveals a difference between the two versions of the Cartesian Theater that meets criteria found in (Dennett and Kinsbourne [1992]) for determining such a difference. This difference undermines the soundness of their argument against the Cartesian Theater, and exerts pressure on Dennett and Kinsbourne to offer a more detailed articulation of their model. Introduction Brief Explanation of Metacontrast Backward Visual Masking The Stalinesque and Orwellian Models of Metacontrast 3.1 Criteria for determining a difference A Difference That Makes a Difference 4.1 Skeptical hypothesis objection Other Objections and Replies 5.1 Straw person objection 5.2 Corroborative issues objection Conclusion CiteULike Connotea Del.icio.us What's this?
In the early years of the 1990s, a number of philosophers and cognitive scientists became enthused about the idea that mental states are spatially and temporally distributed in the brain, and that this has significant consequences for philosophy of mind. Daniel Dennett (1991), for example, appealed to the spatial and temporal distribution of cognitive processes in the brain in order to argue that there is no unified place where or time when consciousness occurs in the brain. Dennett used this interim conclusion as a premise in a series of arguments designed to undermine what he calls the “Cartesian Theater” view of consciousness, according to which there is an independent and fact of the matter about when and where conscious mental states occur. Most famously, Dennett argues that anyone who believes there are such facts of the matter must choose between “Orwellian” and “Stalinesque” theories of the timing of consciousness, in order to accommodate certain data about the spatial distribution of the timing of consciousness-related brain events. But, he claims, that distinction is a distinction without a difference: The choice between “Orwellian” and “Stalinesque” views is either nonsense, or at the very least one that we could never be justified in making. And this, Dennett takes it, is a reductio ad absurdum of any theory of consciousness that says there is a fact of the matter about when and where is occurs.
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