Online research in philosophy

Derrida always stipulates that deconstruction is not a ‘‘method’’. But deconstruction nevertheless involves a certain strategy and protocol: terms that both designate a process and serve as an example of that process. Derrida's deployment of these terms clarifies how his analyses of logocentrism anticipate the political texts of his later career. In his early texts, Derrida famously shows how the dyad of speech and writing is a ‘‘violent hierarchy’’ in which speech is everywhere privileged. I show how, by contrast, his later analysis of law and force necessarily redoubles this strategy because each of these terms is privileged in rival traditions of political thought.

This article focuses on Michel Foucault’s concepts of authorship and power. Jacques Derrida has often been accused of being more of a literary author than a philosopher or political theorist. Richard Rorty complains that Derrida’s views on politics are not pragmatic enough; he sees Derrida’s later work, including his political work, more as a “private self-fashioning” than concrete political thinking aimed at devising short-term solutions to problems here and now. Employing Foucault’s work around authorship and the origins of power, I show that Derrida is indeed fashioning himself. This self-fashioning is not merely private or fanciful. Rather, I argue that Derrida can be read as employing what Foucault would call “technologies of the self” to not only show the play of possibility and impossibility at work in all politics and thought, but also to use his savoir to create two important and potentially constructive power structures. First, there is the power of deconstruction itself as a “militant critique” that calls for a forceful and irreducible justice. Second, there is the power of Derrida himself, understood as leaving behind a legacy of himself as the “originator” of deconstruction and as a public intellectual.

This article explores the political aspect of Derrida's work, in particular his critique of authority. Derrida employs a series of strategies to expose the antagonisms within Western philosophy, whose structures of presence provide a rational and essentialist foundation for political institutions. Therefore, Derrida's interrogation of the universalist claims of philosophy may be applied to the pretensions of political authority. Moreover, I argue that Derrida's deconstruction of the two paths of 'reading' - inversion and subversion - may be applied to the question of revolutionary politics, to show that revolution often culminates in the reaffirmation of authority. Derrida navigates a path between these two strategies, allowing one to formulate philosophical and political strategies that work at the limits of discourse, thereby pointing to an outside. This outside, I argue, is crucial to radical politics because it unmasks the violence and illegitimacy of institutions and laws. Key Words: anarchism • authority • deconstruction • Derrida • displacement • justice • law • politics • poststructuralism.

Jacques Derrida is one of the most influential and controversial philosophers of the last fifty years. Derrida on Deconstruction introduces and assesses: * Derrida's life and the background to his philosophy * the key themes of the critique of metaphysics, language and ethics that characterize his most widely read works * the continuing importance of Derrida's work to philosophy. This is a much-needed introduction for philosophy or humanities students undertaking courses on Derrida.

Introduction: Fielding Derrida -- Jacques Derrida's early writings : alongside skepticism, phenomenology -- Analytic philosophy, and literary criticism -- Deconstruction as skepticism -- Derrida, Husserl, and the commentators : a developmental approach -- A transcendental sense of death : Derrida and the philosophy of language -- Literary theory's languages : the deconstruction of sense vs. the deconstruction of reference -- Jacques Derrida and the problem of philosophical and political modernity -- Jacob Klein and Jacques Derrida : the problem of modernity -- Jacob Klein and Jacques Derrida : historicism and history in two interpretations of Husserl's late writings -- Derrida's contribution to phenomenology : a problem of no species -- Foretellese : futures of Derrida and Marx.

Matchbook consists of nine essays written around, or in response to, work published by Jacques Derrida since 1980. The focal point of the essays is the “Envois,” which forms part of Derrida’s Post Card. Particular attention is paid to how that text articulates with the ethical and political emphases of Derrida’s more recent work, but also to its autobiographical conceit. The “incendiary” reference of the book’s title underscores deconstruction’s engagement with questions of reading: relations between (slow) reading and the speed of technology, and the political effects of an internationalized deconstruction in a globalized culture. It is in terms of what deconstruction can have us think about the speed of technology and technologies of reading that Derrida’s work has made one of its most important contributions to philosophy and literary and cultural studies. The book concentrates on that as proof of the continued relevance of such work.

The Reception of Derrida explores the cross-cultural reception of Derrida's work, specifically how that work in all its diversity, has come to be identified with the word deconstruction. In response to this cultural and academic phenomenon, the book examines how Derrida's own understanding of translation and inheritance illuminate the 'translation and transformation' of his own works. Positioned against the misreadings of deconstruction, the book traces the relationship between Derrida's concern with the ethico-political dimension of deconstruction and an authorial legacy. This timely new study is the first book to consider the cultural reception of Derrida's works, and its accessible language and structure help to make this a benchmark amongst introductory Derrida studies.

How might we begin to think about deconstruction in relation to the formulation of political policy? Once we begin to ask this question the whole idea of policy as such is put in question and conversely the limitations of philosophy as the basis for political decision making quickly become apparent. Through a consideration of this problem and by reference to a number of key tropes in Derrida's later writings, this essay begins the task of thinking about the deconstruction of policy and of asking what the future role of deconstructive thought might be.

In looking at Derrida’s career, many people claim to see a “political turn” with the 1989 essay “Force of Law.” So on this reading, the early Derrida is concerned with metaphysics and literature and the later Derrida with politics and ethics. I disagree. The concerns have always been metaphysical/literary and political/ethical at once, but the “methodology” changes: from deconstruction to aporia.

Jacques Derrida has had a huge influence on contemporary political theory and political philosophy. Derrida's thinking has inspired Slavoj Zizek, Richard Rorty, Ernesto Laclau, Judith Butler and many more contemporary theorists. This book brings together a first class line up of Derrida scholars to develop a deconstructive approach to politics. Deconstruction examines the internal logic of any given text or discourse. It helps us analyze the contradictions inherent in all schools of thought,and as such it has proved revolutionaty in political analysis,particularly ideology critique. This book is ideal for all students of political theory,and anyone looking for an accessible guide to Derrida's thinking and how it can be used as a radical tool for political analysis.