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- Mark Bedau, Artificial Life Illuminates Human Hyper-Creativity.The aim of this chapter is to show how the technological research activity called “artificial life” is shedding new light on human creativity. Artificial life aims to understanding the fundamental behavior of life-like systems by synthesizing that behavior in artificial systems (more on artificial life below). One of the most interesting behaviors of living systems is their creativity. Biological creativity can be found in both individual living organisms and in the whole biosphere—the entire interconnected system comprised of all forms of life—but I will focus in this chapter on the biological creativity exhibited by the evolutionary process. This is the creativity that enabled the earliest simple life forms to spontaneously evolve into the incredibly rich and beautiful diversity of life that now surrounds us. This diversity of life includes the most complex adaptive and intelligent systems in the known universe. This is an amazingly powerful spontaneous creation process, indeed. I will refer to it as hyper-creativity to call attention to the way in which it produces qualitatively new and more complex kinds of adaptations. There is a similar quality in human creativity. I am thinking of the aesthetic and cultural creativity of artists, but also the intellectual creativity of scientists and scholars, as well as the commercial and practical creativity of craftsmen, businessmen, and entrepreneurs. And I want to focus especially on the hyper- creative aspects of human creativity—the way in which human activity can yield qualitatively new and more complex creations.Reading list | Discuss | Edit | Categorize |My bibliography
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Ervin Laszlo's notion of the interrelationship between evolution and creativity as being intrinsic to universal life processes has been influential to the biological and social sciences. Central to Laszlo's thinking is the notion of convergence in biological and social systems that are posited on creative complexity. In this article, I employ Laszlo's concept of creativity in relation to the human religious imagination. Cross-cultural studies of the religious imagination examine the architecture of human consciousness and ways of knowing. These two areas are interlinked and generate new kinds of knowledge and understanding of the self and the world. In this way, the religious imagination is a means of generating new possibilities of mind and consciousness.
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| | Other links: informaworld.com dx.doi.org | Scholar | At my library | More options ... Recent trends in the understanding of culture contact, with concepts such as hybridization, cosmopolitanism, and cultural innovation, open up the possibility of a new understanding of human interaction. While the social imaginary is rich with images of conflict resulting from culture contact, images of creativity are far rarer. We propose the creation of an extensive research project to document cultural creativity, starting with obvious examples in the arts, and expanding into all areas of life in order to counteract the present conflictual images and develop a social imaginary with positive “attractor” images that can guide to greater creativity.
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| | Other links: informaworld.com tandf.informaworld.com dx.doi.org | Scholar | At my library | More options ... Recent trends in the understanding of culture contact, with concepts such as hybridization, cosmopolitanism, and cultural innovation, open up the possibility of a new understanding of human interaction. While the social imaginary is rich with images of conflict resulting from culture contact, images of creativity are far rarer. We propose the creation of an extensive research project to document cultural creativity, starting with obvious examples in the arts, and expanding into all areas of life in order to counteract the present conflictual images and develop a social imaginary with positive “attractor” images that can guide to greater creativity.
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| | Other links: informaworld.com informaworld.com tandf.informaworld.com dx.doi.org | Scholar | At my library | More options ... The greatest rhetorical challenge to developers of creative artificial intelligence systems is convincingly arguing that their software is more than just an extension of their own creativity. This paper suggests that “creative autonomy,” which exists when a system not only evaluates creations on its own, but also changes its standards without explicit direction, is a necessary condition for making this argument. Rather than requiring that the system be hermetically sealed to avoid perceptions of human influence, developing creative autonomy is argued to be more plausible if the system is intimately embedded in a broader society of other creators and critics. Ideas are presented for constructing systems that might be able to achieve creative autonomy.
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| | Other links: dx.doi.org springerlink.com | Scholar | At my library | More options ... There is no prepared script for social and cultural life. People work it out as they go along. Creativity and Cultural Improvisation casts fresh, anthropological eyes on the cultural sites of creativity that form part of our social matrix. The book explores the ways creative agency is attributed in the graphic and performing arts and in intellectual property law. It shows how the sources of creativity are embedded in social, political and religious institutions, examines the relation between creativity and the perception and passage of time, and reviews the creativity and improvisational quality of anthropological scholarship itself. Individual essays examine how the concept of creativity has changed in the history of modern social theory, and question its applicability as a term of cross-cultural analysis. The contributors highlight the collaborative and political dimensions of creativity and thus challenge the idea that creativity arises only from individual talent and expression.
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| | Scholar | At my library | More options ... Creativity is fundamental to human experience. In On Creativity David Bohm, the world-renowned scientist, investigates the phenomenon from all sides. This is a remarkable and life-affirming book by one of the most far-sighted thinkers of modern.
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| | Scholar | At my library | More options ... Artificial life (also known as “ALife”) is a broad, interdisciplinary endeavor that studies life and life-like processes through simulation and synthesis. The goals of this activity include modelling and even creating life and life-like systems, as well as developing practical applications using intuitions and methods taken from living systems. Artificial life both illuminates traditional philosophical questions and raises new philosophical questions. Since both artificial life and philosophy investigate the essential nature of certain fundamental aspects of reality like life and adaptation, artificial life offers philosophy a new perspective on these phenomena. This chapter provides an introduction to current research in artificial life and explains its philosophical implications.
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| | Scholar | More options ... In this article the concept of God as creativity (rather than as the Creator ) is explored. Though creativity is a profound mystery to us humans, it is a plausible concept today because of its interconnectedness with the belief that our cosmos is evolutionary: new orders of reality come into being in the course of time. Three modalities of creativity are explored here: the initial coming into being of the universe (the Big Bang); the creativity manifest in evolutionary processes; the human creation of culture. It is suggested that this creativity itself should be thought of as God: God is creativity. Thus God-talk is given a referent that is specifiable in terms of todayâs understandings of the world and the human. God remains a profound mystery here, but one with a significant place in our modern understanding of the world and human life.
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| | Other links: springerlink.com dx.doi.org | Scholar | At my library | More options ... Contemporary artificial life (also known as “ALife”) is an interdisciplinary study of life and life-like processes. Its two most important qualities are that it focuses on the essential rather than the contingent features of living systems and that it attempts to understand living systems by artificially synthesizing extremely simple forms of them. These two qualities are connected. By synthesizing simple systems that are very life-like and yet very unfamiliar, artificial life constructively explores the boundaries of what is possible for life. At the moment, artificial life uses three different kinds of synthetic methods. “Soft” artificial life creates computer simulations or other purely digital constructions that exhibit life-like behavior. “Hard” artificial life produces hardware implementations of life-like systems. “Wet” artifi- cial life involves the creation of life-like systems in a laboratory using biochemical materials.
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| | Other links: people.reed.edu | Scholar | More options ... Creativity has a special role in enabling humans to develop beyond the fulfilment of simple primary functions. This factor is significant for Artificial Intelligence (AI) developers who take replication to be the primary goal, since moves toward creating autonomous artificial-beings beg questions about their potential for creativity. Using Wittgenstein’s remarks on rule-following and language-games, I argue that although some AI programs appear creative, to call these programmed acts creative in our terms is to misunderstand the use of this word in language. I conclude that replication is not the best way forward for AI development in matters of creativity.
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| | Other links: springerlink.com dx.doi.org | Scholar | At my library | More options ... Discussion of Mark Bedau, Artificial life illuminates human hyper-creativity
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