Online research in philosophy

Abstract In this paper I set the debate between Kant and Schiller in terms of the role that an ideal of life can play within an autonomist ethic. I begin by examining the critical role Schiller gives to emotions in tackling specific motivational concerns in Kant's ethics. In the Kantian response I offer to these criticisms, I emphasise the role of metaphysics for a proper understanding of Kant's position whilst allowing that with respect to moral psychology, Kant and Schiller are in agreement about the importance of emotions in our moral lives. I conclude by returning to the themes broached in the introduction to consider the extent to which the teleological concerns that motivate Schiller can be addressed within Kant's autonomist ethics.

Entry for the Internet Encyclopedia of Philosophy, at http://www.iep.utm.edu/fouc-eth/, includes discussion of Foucault's turn to ethics, conception of ethical relations, care of the self, and the connection between his critical philosophy and conception of ethics.

This paper explicates Foucault's conception of experience and defends it as an important theoretical resource for feminist theory. It analyzes Linda Alcoff's devastating critique of Foucault's account of sexuality and her reasons for advocating phenomenology as a more viable alternative. I agree with her that a philosophically sophisticated understanding of experience must remain central for feminist theory, but I demonstrate that her critique of Foucault is based on a mistaken view of his philosophical position as well as on a problematic understanding of phenomenology.

The shift in Foucault’s work from genealogy to ethics finds consensus among Foucault scholars. However, the motivations behind this transition remain either misunderstood or understudied in large part. Foucault’s recently published or soon-to-be translated 1977/—9 lectures (published as Security, Territory, Population and as The Birth of Biopolitics) offer new elements for understanding this dense and uncharted period along Foucault’s itinerary. In this article, the author argues that Foucault’s interpretation of the liberal tradition, which is at the core of the 1977—9 lectures, must be examined in combination with Foucault’s other major interests in the late 1970s, namely the Iranian Revolution and Kant. The discovery of spirituality (Iran), the valorization of an autonomous subject (Kant) and the call for a tolerant environment towards minority practices (liberalism) pave the way for the later Foucault’s ethics, which are grounded in spiritual exercises and means of liberating the subject.

This paper examines the relation of Schiller’s Letters on Aesthetic Education to Gadamer’s philosophical hermeneutics, particularly by examining the connection between the concepts of “play” and “appearance” in Schiller’s thought. The paper points out parallels between the two thinkers which remain unacknowledged in Gadamer’s critique of Schiller. The first main section of the paper examines the notion of play in Schiller, pointing out that Schiller conceives of play in a medial voice, much as Gadamer does. The second section directly takes on Gadamer’s claim that Schiller’s notion of aesthetic appearance sunders art from truth, by arguing that Schiller conceives of appearance as a mode of truth.

Abstract How should we read Foucault's claims, in his late work, for the relevance of ?aesthetic criteria? to politics? What is Foucault's implicit understanding of the nature of aesthetics and the autonomy of the aesthetic sphere? Would an ethics which gave a place to the aesthetic legitimize a politics of manipulation, brutality and aggression ? in short, a ?fascist? politics ? as some of Foucault's critics argue? In this paper, I examine key accounts of the fascist ?aestheticization of politics? ? from Walter Benjamin's classic essay, ?The Work of Art in the Age of Mechanical Reproduction? (1936), to Philippe Lacoue?Labarthe's work on the relation between Heidegger's philosophy and the fascist theme of politics as the plastic art of the state. Through a discussion of Foucault's late work, the paper demonstrates the connection between Foucault's turn to ancient Greek ethical practices and his call for a contemporary renewal of the idea of ethics as an art of living. The aim of the paper is to show in what ways the ethico?political position which is presented in Foucault's late work, far from contributing to a fascist politics, in fact provides ways of thinking about the relationship between the aesthetic and the political which avoid both mindless radicalism and totalitarian narcissism. In doing so, the key question is, ?What's aesthetic about Foucault's ?aesthetics of existence"??