Photographic Representation and Depiction of Temporal Extension
Inquiry 55 (2):194-213 (2012)
| Abstract | The main task of this paper is to understand if and how static images like photographs can represent and/or depict temporal extension (duration). In order to do this, a detour will be necessary to understand some features of the nature of photographic representation and depiction in general. This important detour will enable us to see that photographs (can) have a narrative content, and that the skilled photographer can 'tell a story' in a very clear sense, as well as control and guide the attention of the spectator of the photograph. The understanding and defence of this claim is a secondary aim of this paper, and it will then allow us to provide a good treatment of the particular case of photographic representation and depiction of temporal extension. | |||||||||
| Keywords | photography representation time | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,701 |
| External links |
|
| Through your library | Configure |
Catharine Abell (2010). Cinema as a Representational Art. British Journal of Aesthetics 50 (3):273-286.
Aaron Meskin & Jonathan Cohen (2008). Photographs as Evidence. In Scott Walden (ed.), Photography and Philosophy: Essays on the Pencil of Nature. Blackwell.
Catharine Abell (2010). The Epistemic Value of Photographs. In Catharine Abell & Katerina Bantinaki (eds.), Philosophical Perspectives on Depiction. Oxford University Press.
Dawn M. Phillips (2009). Photography and Causation: Responding to Scruton's Scepticism. British Journal of Aesthetics 49 (4):327-340.
Ben Blumson (2008). Depiction and Convention. Dialectica 62 (3):335-348.
Leonid Tchertov (2005). Spatial Semiosis and Time. Sign Systems Studies 33 (2):297-314.
Flint Schier (1986). Deeper Into Pictures: An Essay on Pictorial Representation. Cambridge University Press.
Dan Cavedon-Taylor (2010). In Defence of Fictional Incompetence. Ratio 23 (2):141-150.
Mark Rollins (1999). Pictorial Representation: When Cognitive Science Meets Aesthetics. Philosophical Psychology 12 (4):387 – 413.
Jiri Benovsky (2011). Three Kinds of Realism About Photographs. Journal of Speculative Philosophy.
Scott Walden (2005). Objectivity in Photography. British Journal of Aesthetics 45 (3):258-272.
Dominic McIver Lopes (2003). The Aesthetics of Photographic Transparency. Mind 112 (447):434--48.
Monthly downloads |
Added to index2011-03-30Total downloads21 ( #58,767 of 549,125 )Recent downloads (6 months)5 ( #15,205 of 549,125 )How can I increase my downloads? |

