Online research in philosophy

Prologue : narratocracy and the contours of political life -- From nomos to nomad : Kant, Deleuze, and Rancière on sensation -- The piazza, the edicola, and the noise of the utterance -- Machiavelli's theory of sensation and Florence's vita festiva -- The viewing subject : Caravaggio, Bacon, and the ring -- "You're eating too fast!" slow food's ethos of convivium -- Epilogue : "the photographs tell it all" : on an ethics of appearance.

A focus on the relation between sensation and the perceptual object in the philosophies of G H Mead and Maurice Merleau-Ponty points toward their shared views of perception as non-reductionistic and holistic, as inextricably tied to the active role of the sensible body, and as involving a new understanding of the nature of immediacy within experience. This essay explores these shared views.

The theory presented here is a near neighbour of Humphrey's theory of sensations as actions. O'Regan & Noë have opened up remarkable new possibilities. But they have missed a trick by not making more of the distinction between sensation and perception; and some of their particular proposals for how we use our eyes to represent visual properties are not only implausible but would, if true, isolate vision from other sensory modalities and do little to explain the phenomenology of conscious experience in general.

Often, sensory input underdetermines perception. One such example is the perception of illusory contours. In illusory contour perception, the content of the percept includes the presence of a contour that is absent from the informational content of the sensation. (By “sensation” I mean merely information-bearing events at the transducer level. I intend no further commitment such as the identification of sensations with qualia.) I call instances of perception underdetermined by sensation “underdetermined perception.” The perception of illusory contours is just one kind of underdetermined perception. The focus of this chapter is another kind of underdetermined perception: what I shall call "active perception". Active perception occurs in cases in which the percept, while underdetermined by sensation, is determined by a combination of sensation and action. The phenomenon of active perception has been used by several to argue against the positing of representations in explanations of sensory experience, either by arguing that no representations need be posited or that far fewer than previously thought need be posited. Such views include, but are not limited to those of Gibson (1966, 1986), Churchland.

One of the central assumptions made in much of contemporary philosophy of mind is that there is no appearance-reality distinction when it comes to sensory states. On this assumption, sensory states simply are as they seem: consciousness is an intrinsic property of sensory states—that is, all sensory states are conscious—and the consciousness of one’s own sensory states is never inaccurate. For a sensation to be felt as pain, for example, is for it to be pain. This assumption, which I call the Cartesian assumption, can be seen everywhere from the standard arguments against physicalism—such as those advanced by Kripke, Nagel, and Levine—to current theorizing about consciousness. I here argue that this assumption is false and that it goes wrong in two ways. I further argue that the appeal of the Cartesian assumption is due to a commitment many still have to a poorly motivated and misguided Cartesian model of consciousness and its relation to mental states. As an alternative to this Cartesian concept of mind, I argue for a theory of consciousness which claims that the “phenomenal character” of a sensation or perception—the “what it’s like” to have that sensation—is determined by the content of a higher-order thought one has of that sensory state.