David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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This article is the first to propose a test for defining incitement to genocide and, especially, for distinguishing it from hate speech. As courts have decided the world's first cases on incitement to genocide in the last decade, they have sometimes diverged alarmingly, as when a Canadian federal court described a speech as an oration on "elections, courage, and love" and then the Canadian Supreme Court identified it as incitement to genocide.Without a reliable distinction, a mere racist could be convicted of a crime tantamount to genocide, and speech might be unduly and dangerously restricted. Incitement to genocide demands keen attention for another reason, also: it is a precursor to genocide, and may be a prerequisite for it. Political leaders in Nazi Germany, Rwanda, and other pre-genocidal societies prepared civilian populations to condone genocide, by using certain techniques to make mass killing seem first acceptable, and then necessary. This article describes those techniques, and includes them in a new six-prong model for incitement to genocide. The article also proposes a key distinction between incitement to genocide and hate speech: that anyone can commit hate speech, but a speaker must have influence or authority over the audience, to be able to commit incitement to genocide. Such authority need not be de jure, as demonstrated by the case of the Rwandan pop star Simon Bikindi, whose songs were played incessantly during the 1994 genocide, and who is now a defendant at the Rwanda war crimes tribunal.
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