Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin De Siècle in Europe
Johns Hopkins University Press (2002)
| Abstract | Charles Bernheimer described decadence as a "stimulant that bends thought out of shape, deforming traditional conceptual molds." In this posthumously published work, Bernheimer succeeds in making a critical concept out of this perennially fashionable, rarely understood term. Decadent Subjects is a coherent and moving picture of fin de siècle decadence. Mature, ironic, iconoclastic, and thoughtful, this remarkable collection of essays shows the contradictions of the phenomenon, which is both a condition and a state of mind. In seeking to show why people have failed to give a satisfactory account of the term decadence, Bernheimer argues that we often mistakenly take decadence to represent something concrete, that we see as some sort of agent. His salutary response is to return to those authors and artists whose work constitutes the topos of decadence, rereading key late nineteenth-century authors such as Nietzsche, Zola, Hardy, Wilde, Moreau, and Freud to rediscover the very dynamics of the decadent. Through careful analysis of the literature, art, and music of the fin de siècle including a riveting discussion of the many faces of Salome, Bernheimer leaves us with a fascinating and multidimensional look at decadence, all the more important as we emerge from our own fin de siècle. | |||||||||
| Keywords | Aesthetics, European Degeneration History Decadence (Literary movement Decadence in art | |||||||||
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| Buy the book | $38.47 new (19% off) $42.26 direct from Amazon (10% off) Amazon page | |||||||||
| Call number | BH221.E853.B47 2002 | |||||||||
| ISBN(s) | 0801867401 9780801867408 | |||||||||
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Russell Ames (1952). Decadence in the Art of T. S. Eliot. Science and Society 16 (3):193 - 221.
Herta Pauly (1973). Aesthetic Decadence Today Viewed in Terms of Schiller's Three Impulses. Journal of Aesthetics and Art Criticism 31 (3):365-373.
Kathleen Marie Higgins (1991). Sexual Personae: Art and Decadence From Nefertiti to Emily Dickinson (Review). Philosophy and Literature 15 (2):369-370.
F. David Martin (1959). On Enjoying Decadence. Journal of Aesthetics and Art Criticism 17 (4):441-446.
Regenia Gagnier (2010). Individualism, Decadence and Globalization: On the Relationship of Part to Whole, 1859-1920. Palgrave Macmillan.
Russell M. Goldfarb (1962). Late Victorian Decadence. Journal of Aesthetics and Art Criticism 20 (4):369-373.
Jonathan M. Smith (2007). Time-Binding Communication: Transmission and Decadence of Tradition. Ethics, Place and Environment 10 (1):107 – 119.
Matei Călinescu (1987). Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Duke University Press.
Jacqueline Scott (1998). Nietzsche and Decadence: The Revaluation of Morality. Continental Philosophy Review 31 (1):59-78.
Oliver Conolly (2004). Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy and Culture of the Fin de Siècle in Europe. British Journal of Aesthetics 44 (2):199-202.
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