Online research in philosophy

Perhaps no concept is more central to maurice merleau-ponty's philosophy than his concept of depth. not only did merleau-ponty recognize the philosophical significance of depth for articulating a phenomenology of perception, but he saw it as essential for pursuing and expressing a novel, radical ontology. depth, merleau-ponty writes, is ``the most existential dimension,'' ``the dimension of dimensions''; it is the ``sine qua non'' of the world and being. let me elucidate merleau-ponty's radical concept of depth by ``addressing'' the salient contexts (...) in which he approached this notion. in the first part of this paper, i shall examine depth in the experience of perception and schizophrenia. in the second, i shall discuss depth as descriptive of an ontology of ``flesh'' and as the guiding theme for the philosophical enterprise. (shrink)

It is argued that in beginning ``being and nothingness'' with the absolute ontological distinction between the for-itself (pure nothingness) and the in-itself (pure being), sartre makes it impossible to understand how the phenomenological account of experience which comes later in the work could be correct. attention is paid almost entirely to the critique of sartre implicit in the chapter of merleau-ponty's ``phenomenology of perception'' titled 'the cogito'. merleau-ponty's divergence from sartre is seen to center around his critique of sartre on (...) the nature of the in-itself, the world, and the pre-reflective 'cogito'. (shrink)

The intent of the article is to define merleau-ponty's place in the phenomenological tradition and, at the same time, to defend his standpoint, especially on those issues where his thought represents a departure from the tradition. although merleau-ponty espouses a form of the husserlian doctrine of the intentionality of consciousness, his understanding of intentionality differs in several fundamental respects from husserl's. the article attempts to show specifically where merleau-ponty's gestalt- theoretical orientation leads him to modify such basic aspects of husserl's (...) concept of intentionality as the noesis-noema distinction and the claim for atemporality of meaning. a critical comparison is drawn between merleau- ponty's concept of intentionality and that of aron gurwitsch. in a more positive vein, the article provides an extended exegesis of merleau-ponty's position on this central concept in phenomenology, and it also tries to relate the exposition of intentionality to merleau-ponty's thesis of the primacy of perception. finally, an attempt is made to reveal the ontological ramifications implicit in merleau-ponty's revisions to the doctrine of intentionality. (edited). (shrink)

This paper explicates Merleau-Ponty's highly original theory of subjectivity and intersubjectivity. Merleau-Ponty challenges traditional philosophy/psychology by rejecting the notion of subjective awareness as an introspective awareness of the private contents of one's own consciousness. For Merleau-Ponty, the subjective is a prereflective, prepersonal bodily openess to an anonymous visibility, a visibility in which both the individual and others participate. Thus, for Merleau-Ponty, the personal/ subjective and the shared/ intersubjective overlap. This view escapes the individualism of the West and the collectivism of (...) authoritarian communism. It provides a balanced theory for both political theory and practice. (shrink)

_reduction in favour of his existentialist account of être au monde. I show that whilst Merleau-Ponty _ _rejected, what he saw as, the transcendental idealist context in which Husserl presents the _ _reduction, he nevertheless accepts the heart of it, the epoché, as a methodological principle. _ _Contrary to a number of Merleau-Ponty scholars, être au monde is perfectly compatible with the _ _epoché and Merleau-Ponty endorses both. I also argue that it is a mistake to think that Merleau-_ _Ponty’s (...) liberal use of the results of empirical psychology signify a rejection of the epoché. A proper _ _understanding of his views on the relation between phenomenology and psychology shows that, at _ _least in Merleau-Ponty’s eyes, the methods of phenomenology and the empirical sciences are _ _largely similar. I conclude that we have every reason to think that Merleau-Ponty accepted _ _Husserl’s demand that the phenomenologist place the world in brackets._. (shrink)

Maurice Merleau-Ponty was the first French thinker to identify phenomenology with philosophy. He is known and celebrated as a renowned phenomenologist and was identified as a key figure in the existential movement. In his wide-ranging and penetrative study, Stephen Priest engages Merleau-Ponty across the full range of his thought. He considers Merleau-Ponty's writings on the problems of the body, perception, space, time, subjectivity. freedom, language, other minds, physical objects, art and being. Priest uses clear and direct language to explain the (...) thoughts and the ensuing importance of one of the greatest contemporary thinkers. Philosophy students and scholars alike will find great pleasure in this fascinating exploration of the writings and ideas of Maurice Merleau-Ponty. (shrink)

This paper studies the role of faces in animal life to gain insight into Merleau-Ponty's philosophy, especially his later ontology. The relation between animal faces and moving, animal bodies involves a peculiar, expressive logic. This logic echoes the physiognomic structure of perception that Merleau-Ponty detects in his earlier philosophy, and exemplifies and clarifies a logic elemental to his later ontology, especially to his concept of an invisible that is of (endogenous to) the visible. The question why the logic of the (...) face can manifest this analogy or homology with the logic of perception and ontology is treated through a study of embryology, which suggests that the logic of the face ramifies a deeper logic of being. Methodologically, the face is taken as something like a lens into the onto-logic of being. This lens suggests that what underlies Merleau-Ponty's later ontology is a logic of animality. (shrink)

This essay traces the development of the concept of style in merleau- ponty's thought as both an aesthetic and an ontological category. the importance of this concept is that what merleau-ponty first noticed as the signifying potential of style in painting develops into a general category descriptive of a more comprehensive aspect of our being-in-the-world. style is crucial for merleau-ponty's thought since it provides a way of describing the foundational field of meaning that perception discloses, and also of characterizing the (...) nature of existential coherence under the conditions of finitude. (shrink)