Online research in philosophy

Austen Clark offers a general account of the forms of mental representation that we call "sensory." Drawing on the findings of current neuroscience, Clark defends the hypothesis that the various modalities of sensation share a generic form that he calls "feature-placing." Sensing proceeds by picking out place-times in or around the body of the sentient organism, and characterizing qualities (features) that appear at those place-times. The hypothesis casts light on many other troublesome phenomena, including the varieties of illusion, the problem of projection, the notion of a visual field, and the existence of sense-data.

Surely one of the most interesting problems in the study of mind concerns the nature of sentience. How is it that there are sensations, rather than merely sensings? What is it like to be a bat -- or why is it like anything at all? Why aren't we automata or responding but unfeeling Zombies? How does neural activity give rise to subjective experience? As Leibniz put the problem (Monadology section 17):

_It must be confessed, however, that Perception_ [consciousness?]_, and that which depends upon it, are_
_inexplicable by mechanical means, that is to say, by figures and motions. Supposing that there were a_
_machine whose structure produced thought, sensation, and perceptions, we could conceive of it as increased_
_in its interior size with the same proportions until one was able to enter into its interior, as he would into a_
_mill. Now, on going into it he would find only pieces working upon one another, but never would he find_

_anything to explain Perception._ [Montgomery trans.].

In his book A Theory of Sentience, Austen Clark argues that the content of sensory representations can be expressed as sentences constructed from a language of sentience. Such sentences specify that a determinate feature obtains in a particular space-time region, but the language's limited vocabulary prohibits the sentences from referring or attributing features to objects. In this paper, I show that this view is flawed in at least two ways. First, if sensation has the capacities that Clark and others attribute to it, then the vocabulary of sense extends further than he supposes, and a limited language of sentience cannot justify a prohibition of object representation within sentience. Second, even if the language of sentience is as impoverished as he claims, and thus even if the representational capacity of sentience is correspondingly limited, object individuation can plausibly occur at the level of sensation. In the course of defusing Clark's major argument for an “object-less” theory of sentience, I offer reasons to believe both that sensory representations can be impressively sophisticated in what they say about the world, and that object representations can be surprisingly basic.

The paper argues that material objects are the primary referents of visual states -- not places, as Austen Clark would have it in his A Theory of Sentience.