From formalism to experience: a Jamesian perspective on music, computing, and consciousness
In David Clarke & Eric F. Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press (2011)
|Abstract||This article has no associated abstract. (fix it)|
|Keywords||No keywords specified (fix it)|
|External links||This entry has no external links. Add one.|
|Through your library||Configure|
Similar books and articles
Joel Krueger (2009). Enacting Musical Experience. Journal of Consciousness Studies 16 (2-3):98-123.
Andy McGuiness & Katie Overy (2011). Music, Consciousness, and the Brain: Music as Shared Experience of an Embodied Present. In David Clarke & Eric F. Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press.
David Galin (2004). Aesthetic Experience: Marcel Proust and the Neo-Jamesian Structure of Awareness. Consciousness and Cognition 13 (2):241-253.
Hanne Ahonen (2005). Wittgenstein and the Conditions of Musical Communication. Philosophy 80 (4):513-529.
Hanne Appelqvist (2011). Form and Freedom: The Kantian Ethos of Musical Formalism. Nordic Journal of Aesthetics 40:75-88.
J. Matyja (2012). Me, Music, and I: Embodied and Enactive Cognition Meets Music. Review of “Music and Consciousness. Constructivist Foundations 8 (1):129-131.
Derek Matravers (2007). Expression in Music. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Tia DeNora (2011). Practical Consciousness and Social Relation in MusEcological Perspective. In David Clarke & Eric F. Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press.
Shaun Gallagher (2003). Sync-Ing in the Stream of Experience Sync-Ing in the Stream of Experience: Time-Consciousness in Broad, Husserl, and Dainton. Psyche 9 (10).
Wesley Cooper (1999). Pragmatism and Radical Empiricism. Inquiry 42 (3 & 4):371 – 383.
James O. Young (2005). The ‘Great Divide’ in Music. British Journal of Aesthetics 45 (2):175-184.
Jonathan A. Neufeld (2009). Musical Formalism and Political Performances. Contemporary Aeshetics 7.
Sorry, there are not enough data points to plot this chart.
Added to index2011-11-25
Recent downloads (6 months)0
How can I increase my downloads?