A Philosophy of Computer Art by lopes, dominic mciver
Journal of Aesthetics and Art Criticism 68 (4):409-411 (2010)
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Dominic McIver Lopes (2011). An Empathic Eye. In Amy Coplan & Peter Goldie (eds.), Empathy. Philosophical and psychological perspectives. Oxford Univerity Press.
Dominic M. McIver Lopes (2000). A Philosophy of Mass Art. Philosophical Review 109 (4).
Dominic M. McIver Lopes (2000). A Philosophy of Mass Art. Philosophical Review 109 (4):614-617.
Dominic Mciver Lopes (2007). The Aesthetic Function of Art. Philosophy and Phenomenological Research 75 (2):484–487.
Dominic McIver Lopes (2000). From Languages of Art to Art in Mind. Journal of Aesthetics and Art Criticism 58 (3):227-231.
Dominic McIver Lopes (2005). The Domain of Depiction. In Matthew Kieran (ed.), Contemporary Debates in Aesthetics and Philosophy of Art. Blackwell.
Dominic McIver Lopes (2003). Digital Art. In Luciano Floridi (ed.), Blackwell Guide to the Philosophy of Computing and Information. Blackwell.
Dominic McIver Lopes (2001). The Ontology of Interactive Art. Journal of Aesthetic Education 35 (4):65-81.
Diarmuid Costello & Dominic Mciver Lopes (2012). Introduction. Journal of Aesthetics and Art Criticism 70 (1):1-8.
Dominic Mciver Lopes (2008). Reference, Ontology, and Architecture: Response to Rafael de Clercq. Journal of Aesthetics and Art Criticism 66 (2):194–196.
Mark Rollins (2006). Sight and Sensibility: Evaluating Pictures Edited by Lopes, Dominic Mciver. Journal of Aesthetics and Art Criticism 64 (4):479–482.
Dominic McIver Lopes (2003). Out of Sight, Out of Mind. In Matthew Kieran & Dominic McIver Lopes (eds.), Imagination, Philosophy, and the Arts.
Andrew Huddleston (2012). In Defense of Artistic Value. Philosophical Quarterly 62 (249):705-714.
Dominic McIver Lopes (2003). Pictures and the Representational Mind. The Monist 86 (4):632-652.
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