David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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In Ted Warfield & Richard Feldman (eds.), Disagreement. OUP (2010)
i> “There’s no disputing about taste.” That’s got a nice ring to it, but it’s not quite the ring of truth. While there’s definitely something right about the aphorism – there’s a reason why it is, after all, an aphorism, and why its utterance tends to produce so much nodding of heads and muttering of “just so” and “yes, quite” – it’s surprisingly difficult to put one’s finger on just what the truth in the neighborhood is, exactly. One thing that’s pretty clear is that what’s right about the aphorism, that there’s no disputing about taste, isn’t that there’s no disputing about taste. There’s heaps of disputing about taste. People engage in disputes about which movies, music, paintings, literature, meals, furniture, architectural styles, etc. are good, beautiful, tasty, fun, elegant, ugly, disgusting, etc. all the time. This is obvious to anyone who has watched dueling-movie-critics shows, read theater reviews, or negotiated with a group or partner about which movie or restaurant to go to, or which sofa or painting to put in the living room. It takes great care and good aim to fling a brick without hitting somebody who’s engaged in a dispute about taste.
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Citations of this work BETA
Teresa Marques (2015). Retractions. Synthese:1-25.
Timothy Sundell (2011). Disagreements About Taste. Philosophical Studies 155 (2):267-288.
Shen‐yi Liao & Aaron Meskin (2015). Aesthetic Adjectives: Experimental Semantics and Context‐Sensitivity. Philosophy and Phenomenological Research 92 (1).
Carl Baker (2012). Indexical Contextualism and the Challenges From Disagreement. Philosophical Studies 157 (1):107-123.
Hartry Field (2009). Epistemology Without Metaphysics. Philosophical Studies 143 (2):249 - 290.
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