The dance: Essence of embodiment
Theoretical Medicine and Bioethics 22 (1) (2001)
| Abstract | An analysis of movement, and particularly of dance,helps us to see in an extraordinarily effective way the meaningof embodiment. This paper then looks through the eyes ofdance theorists and at philosophers who consider dance andmovement and their meaning of embodiment. A study of movementand dance encompasses the fullest meaning of embodiment: that theembodied way of being-in-the-world is also an embedded way ofbeing in a world of others. Dance has critically importantsocial ramifications. In our own and other cultures, dance playsan important role in healing and in health enhancement. | |||||||||
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Valentina Litvinoff (1974). Lessons From the Dancing Ground to the Studio: Implications of Pueblo Indian Dance for Modern Dance. Journal of Aesthetics and Art Criticism 32 (3):397-407.
Barbara Montero (2012). Practice Makes Perfect: The Effect of Dance Training on the Aesthetic Judge. Phenomenology and the Cognitive Sciences 11 (1):59-68.
Jonathan Owen Clark (2012). Dance and Subtraction: Notes on Alain Badiou's Inaesthetics. Dance Research Journal 42 (03):50-64.
Maxine Sheets-Johnstone (2012). From Movement to Dance. Phenomenology and the Cognitive Sciences 11 (1):39-57.
N. S. Thompson & Jaan Valsiner (2002). Doesn't a Dance Require Dancers? Behavioral and Brain Sciences 25 (5):641-642.
Emily Cross & Luca Ticini (2012). Neuroaesthetics and Beyond: New Horizons in Applying the Science of the Brain to the Art of Dance. Phenomenology and the Cognitive Sciences 11 (1):5-16.
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