Deleuze on Cinema
Routledge (2003)
| Abstract | Gilles Deleuze has produced some of the most important--and most formidable--theory on cinema to appear in the last half-century. Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema. | |||||||||
| Keywords | Motion pictures Philosophy | |||||||||
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| Buy the book | $36.33 direct from Amazon (10% off) Amazon page | |||||||||
| Call number | PN1995.B527 2003 | |||||||||
| ISBN(s) | 0415966043 0415966035 9780415966047 | |||||||||
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Farhang Erfani (2011). Iranian Cinema and Philosophy: Shooting Truth. Palgrave Macmillan.
Gregory Flaxman (ed.) (2000). The Brain is the Screen: Deleuze and the Philosophy of Cinema. University of Minnesota Press.
David Martin-Jones (2008). Towards Another '–Image': Deleuze, Narrative Time and Popular Indian Cinema. Deleuze Studies 2 (1):25-48.
David Martin-Jones (2011). Deleuze and World Cinemas. Continuum International Publishing Group.
Melinda Szaloky (2009). Mutual Images: Reflections of Kant in Deleuze's Transcendental Cinema of Time. In David Norman Rodowick (ed.), Afterimages of Gilles Deleuze's Film Philosophy. University of Minnesota Press.
John Mullarkey (2009/2010). Philosophy and the Moving Image: Refractions of Reality. Palgrave Macmillan.
Richard Rushton (2008). Passions and Actions: Deleuze's Cinematographic Cogito. Deleuze Studies 2 (2):121-139.
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