Art and reality in Russian "realist" criticism
Journal of Aesthetics and Art Criticism 12 (3):386-392 (1954)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,679 |
| External links |
|
| Through your library | Configure |
Max Rieser (1963). Russian Aesthetics Today and Their Historical Background. Journal of Aesthetics and Art Criticism 22 (1):47-53.
Clementina Red (2012). Specular Phenomenology: Art and Art Criticism. Collingwood and British Idealism Studies 17 (2):248-260.
Helmut A. Hatzfeld (1947). Literary Criticism Through Art and Art Criticism Through Literature. Journal of Aesthetics and Art Criticism 6 (1):1-21.
Zed Adams (2007). The Objective Eye: Color, Form, and Reality in the Theory of Art by Hyman, John. Journal of Aesthetics and Art Criticism 65 (4):417–419.
Edith W. Clowes (1988). The Revolution of Moral Consciousness: Nietzsche in Russian Literature, 1890-1914. Northern Illinois University Press.
Victor Erlich (1954). Russian Formalism: In Perspective. Journal of Aesthetics and Art Criticism 13 (2):215-225.
Charles Karelis (1976). Plato on Art and Reality. Journal of Aesthetics and Art Criticism 34 (3):315-321.
Bernard Goldman (1959). Realist Iconography: Intent and Criticism. Journal of Aesthetics and Art Criticism 18 (2):183-192.
Monthly downloads |
Added to index2009-01-28Total downloads4 ( #178,675 of 549,087 )Recent downloads (6 months)1 ( #63,317 of 549,087 )How can I increase my downloads? |

