David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Inquiry 23 (1):83 – 106 (1980)
The main aim of this essay is to propose and develop a product?oriented, non?psychologistic, approach to scientific and artistic creativity. I first argue that the central problem is that of answering the question: how is creativity possible? Traditional approaches to this question tend to locate creativity primarily in some special psychological processes or traits, or in some special creative act. Some general arguments against such an approach are developed, and it is suggested that creativity ought primarily to be located in scientific and artistic products. I then investigate the question ?what aspects of such products lead us to evaluate them as creative?? and use the results of this inquiry as a set of desiderata against which to evaluate various general views as to the nature of the creative process itself. The upshot of this procedure is the development of a kind of ?Darwinian? model whose novel feature lies in the suggestion that the process of production has, in effect, been controlled (plastically) by those very factors which can enable the product to be a creative one
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References found in this work BETA
Imre Lakatos & Alan Musgrave (eds.) (1970). Criticism and the Growth of Knowledge. Cambridge University Press.
Jacques Monod (1971/1972). Chance and Necessity. New York,Vintage Books.
Robert S. Woodworth (1940). Experimental Psychology. Mind 49 (193):63-72.
Jean-Paul Sartre (1947). Existentialism. New York, Philosophical Library.
Citations of this work BETA
Berys Gaut (2010). The Philosophy of Creativity. Philosophy Compass 5 (12):1034-1046.
Michael Wreen (2015). Creativity. Philosophia 43 (3):891-913.
John Watkins (1992). Has Bacon Vindicated Kant? International Studies in the Philosophy of Science 6 (1):65 – 67.
Fred D'Agostino (1984). Chomsky on Creativity. Synthese 58 (1):85 - 117.
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