Can American Popular Vocal Music Escape the Legacy of Blackface Minstrelsy?

Journal of Aesthetics and Art Criticism 71 (1):91-100 (2013)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,122

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Moribund music: can classical music be saved?Carolyn Beckingham - 2009 - Portland: Sussex Academic Press.
Music.Nicholas Cook - 2010 - New York, NY: Sterling.
Music and technology. Virtuality and metadesign : Sound art in the age of connectivity.Laura Ahonen - 2006 - In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.
Levels of rhythm in vocal music.Raymond Monelle - 1982 - British Journal of Aesthetics 22 (1):17-36.
Locating the people : Music and the popular.R. Middleton - 2003 - In Martin Clayton, Trevor Herbert & Richard Middleton (eds.), The Cultural Study of Music: A Critical Introduction. Routledge. pp. 251.
Music & meaning.Jenefer Robinson (ed.) - 1997 - Ithaca [N.Y.]: Cornell University Press.
Frank Sinatra: The Popular Front and an American Icon.Gerald Meyer - 2002 - Science and Society 66 (3):311 - 335.

Analytics

Added to PP
2013-01-25

Downloads
25 (#581,490)

6 months
4 (#573,918)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Excess in Art: The Case of Oversinging.Jeanette Bicknell - 2018 - Journal of Aesthetics and Art Criticism 76 (1):83-92.

Add more citations

References found in this work

No references found.

Add more references