Experiencing interiors : ocularcentrism and Merleau-Ponty's redeeming of the role of vision
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Alia Al-Saji (2006). Vision, Mirror and Expression: The Genesis of the Ethical Body in Merleau-Ponty’s Later Works. In James Hatley, Janice McLane & Christian Diehm (eds.), Interrogating Ethics: Embodying the Good in Merleau-Ponty. Duquesne University Press.
David Morris (2008). Body. In Rosalyn Diprose & Jack Reynolds (eds.), Merleau-ponty: Key Concepts. Acumen Publishing.
Véronique Marion Fóti (2013). Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology. Northwestern University Press.
Emmanuel Alloa (2007). The Madness of Sight. In Karin Leonhard & Silke Horstkotte (eds.), Seeing Perception. Cambridge Scholars Publishing: 40-59.
Alia Al-Saji (2009). A Phenomenology of Critical-Ethical Vision: Merleau-Ponty, Bergson, and the Question of Seeing Differently. Chiasmi International 11:375-398.
Judith Wambacq (2011). Maurice Merleau-Ponty's Criticism of Bergson's Theory of Time Seen Through The Work of Gilles Deleuze. Studia Phaenomenologica 11:309-325.
Shlomit Tamari (2011). How Merleau-Ponty Can Provide a Philosophical Foundation for Vandana Shiva's Views on Biodiversity. Comparative and Continental Philosophy 2 (2):275-289.
Trevor Perri (2013). Image and Ontology in Merleau-Ponty. Continental Philosophy Review 46 (1):75-97.
Douglas Beck Low (2000). Merleau-Ponty's Last Vision: A Proposal for the Completion of the Visible and the Invisible. Northwestern University Press.
Brook Ziporyn (2009). How the Tree Sees Me : Sentience and Insentience in Tiantai and Merleau-Ponty. In Jin Y. Park & Gereon Kopf (eds.), Merleau-Ponty and Buddhism. Lexington Books.
David Morris (2007). Faces and the Invisible of the Visible: Toward an Animal Ontology. Phaenex 2 (2):124-169.
Maurice Merleau-Ponty (1993). The Merleau-Ponty Aesthetics Reader: Philosophy and Painting. Northwestern University Press.
Cecilia Sjöholm (2000). Crossing Lovers: Luce Irigaray's Elemental Passions. Hypatia 15 (3):92 - 112.
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