"Feeling my way": Jazz improvisation and its vicissitudes-a plea for imperfection
Journal of Aesthetics and Art Criticism 58 (2):113-123 (2000)
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Bruce Ellis Benson (2003). The Improvisation of Musical Dialogue: A Phenomenology of Music. Cambridge University Press.
Gary Peters (2009). The Philosophy of Improvisation. University of Chicago Press.
Andy Hamilton (2003). The Art of Recording and the Aesthetics of Perfection. British Journal of Aesthetics 43 (4):345-362.
Garry L. Hagberg (2008). Jazz Improvisation and Ethical Interaction : A Sketch of the Connections. In Garry Hagberg (ed.), Art and Ethical Criticism. Blackwell Pub..
A. Hamilton (2000). The Art of Improvisation and the Aesthetics of Imperfection. British Journal of Aesthetics 40 (1):168-185.
Theodore Gracyk (2002). Jazz After Jazz : Ken Burns and the Construction of Jazz History. Philosophy and Literature 26 (1):173-187.
William Day (2000). Knowing as Instancing: Jazz Improvisation and Moral Perfectionism. Journal of Aesthetics and Art Criticism 58 (2):99-111.
John M. Carvalho (2010). Repetition and Self-Realization in Jazz Improvisation. Journal of Aesthetics and Art Criticism 68 (3):285-290.
Gary Iseminger (2010). Sonicism and Jazz Improvisation. Journal of Aesthetics and Art Criticism 68 (3):297-299.
Joseph D. Lewandowski (1996). Adorno on Jazz and Society. Philosophy and Social Criticism 22 (5):103-121.
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