Hopkins' idealism: philosophy, physics, poetry

New York: Oxford University Press. Edited by Gerard Manley Hopkins (1997)
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Abstract

Hopkins' Idealism provides a thorough re-examination of the nineteenth-century poet Gerard Manley Hopkins (1844-1889), whose early writings on philosophy have to date received little critical attention. It is the first full-length study of Hopkins' largely unpublished Oxford undergraduate essays and notes on philosophy and mechanics. The volume also offers radical new readings of some of Hopkins' best-known poems.

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Chapters

Hopkins and Oxford

This chapter examines the role of Oxford University in the maturation of the philosophical thought of English poet and priest Gerald Manley Hopkins. It suggests that Hopkins' philosophical development occurred intensively during his years at Oxford from 1863 to 1867, as highlighted by the ... see more

The ‘idea in the mind’

This chapter examines the philosophical ideas of English poet Gerald Manley Hopkins. Like the early British idealists who taught him, Hopkins treated the study of historical philosophies as an opportunity to address issues in contemporary thought and to define his own metaphysic. His Oxfor... see more

Moral Philosophy

This chapter examines the moral philosophy of English poet Gerald Manley Hopkins. It suggests that Hopkins attributed to the mind a radical capacity for making a priori judgements but he does so without fixing the form of this objectivity to the bureaucratic process of the Kantian faculty ... see more

The Big Idea

This chapter examines English poet Gerald Manley Hopkins' conception of the ‘the Idea’. It suggests that though his concept was based on the Hegelian dialectic, it is not tied to the progressive historicism that is integral to Hegel's principle. In his Oxford essay The Probable Future of M... see more

‘the flush and foredrawn’

This chapter examines the scientific basis of English poet Gerald Manley Hopkins' analogy in his works. Hopkins believed that the fundamental laws of motion provide the forms which serve to represent more complex phenomena, and this logic was applied to most of his works. The principle of ... see more

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