Online research in philosophy

Memorial discussion of the work of George Santayana on the occasion of his 100th birthday.

Selections from the writings of George Santayana.

1. As indicated in the Acknowledgments, the sourcebook, The Essential Santayana, is the product of the input of a short list of scholars who, give or take a few names, constitute the “Santayana revival” heralded on the back-cover. Martin A. Coleman has acted as the clearing house for their suggestions, while also writing an Introduction, arranging the readings into five general headings, and providing thumb-nail synopses of each of the readings in each category. While all this is a solid contribution on Coleman’s part, the back-cover contains two questionable if not plainly fallacious “advertisements.” The first is the claim that Santayana, along with William James and Josiah Royce, ranks as “one of the founders ..

This paper deals with Angus Kerr-Lawson's interpretation of George Santayana's philosophy of values. I claim that Kerr-Lawson reads Santayana correctly; however, as regards axiology, he reads Santayana literally and misses Santayana's engagement with it. Santayana's engagement with the philosophy of values is clearly seen when we use axiological terms and problematics in approaching his thought.

This paper examines Santayana on imagination, and related themes, chiefly as these are expressed in his early work, Interpretations of Poetry and Religion (1900). My hypothesis is that Santayana under-estimates, in this book, the force and significance of the prevalent distinction between imagination and fancy, as this was originally put forward by Coleridge and later developed in Emerson’s late essays. I will focus on some of those aspects of Santayana’s book which appear to react to or to engage with Emerson’s views and aim to bring Santayana’s treatment of the theme of imagination into relation with Emerson. Understanding the differences in greater detail we stand a better chance of reasoned evaluation of alternative conceptions of imagination. I will argue that the Coleridge-Emersonian conception of the distinction between imagination and fancy is a crucial element of the background of Peircean abduction, and in this fashion, contributes to the continuity of Emerson’s writings with the pragmatist tradition.