British Journal of Aesthetics 45 (2):111-122 (2005)
|Abstract||Roger Scruton appears to have been the first to argue for and articulate an anti-realist theory of aesthetic properties. In the case of emotional qualities of music, his principal argument against realism is unsound and cannot, I believe, be repaired. Nevertheless an anti-realist view of emotional qualities of music is in my view correct and I defend Scruton's insight against a rival realist conception. However, I prefer a rather different form of anti-realism to Scruton's.|
|Keywords||No keywords specified (fix it)|
|Through your library||Configure|
Similar books and articles
Cain Samuel Todd (2004). Quasi-Realism, Acquaintance, and the Normative Claims of Aesthetic Judgement. British Journal of Aesthetics 44 (3):277-296.
Antti Keskinen (2012). Quine on Objects: Realism or Anti-Realism? Theoria 78 (2):128-145.
Jeanette Bicknell (2009). Why Music Moves Us. Palgrave Macmillan.
B. R. Tilghman (2004). Reflections on Aesthetic Judgement. British Journal of Aesthetics 44 (3):248-260.
Jerrold Levinson (2005). What Are Aesthetic Properties? Aristotelian Society Supplementary Volume 79:191 - 227.
Susan M. Purviance, Hutcheson's Aesthetic Realism and Moral Qualities. History of Intellectual Culture.
Nick Zangwill (2010). Scruton's Musical Experiences. Philosophy 85 (1):91-104.
Malcolm Budd (2008). Aesthetic Essays. Oxford University Press.
Added to index2009-01-28
Total downloads90 ( #7,985 of 556,772 )
Recent downloads (6 months)5 ( #15,999 of 556,772 )
How can I increase my downloads?