Critical Notice of Music and Conceptualization by Mark DeBellis
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Mark Andrew DeBellis (1995). Music and Conceptualization. Cambridge University Press.
Mark DeBellis (2001). Music. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
Mark Debellis (2004). Review: Themes in the Philosophy of Music. [REVIEW] Mind 113 (452):747-750.
Malcolm Budd (1998). Music and Conceptualization. Philosophy and Phenomenological Research 58 (3):732-735.
Mark DeBellis (2003). Schenkerian Analysis and the Intelligent Listener. The Monist 86 (4):579-607.
Mark Debellis (1991). Conceptions of Musical Structure. Midwest Studies in Philosophy 16 (1):378-393.
Mark DeBellis (1991). The Representational Content of Musical Experience. Philosophy and Phenomenological Research 51 (June):303-24.
Mark DeBellis (2002). Musical Analysis as Articulation. Journal of Aesthetics and Art Criticism 60 (2):119–135.
Thomas Carson Mark (2012). Motion, Emotion, and Love: The Nature of Artistic Performance. Gia Publications.
Mark DeBellis (1999). The Paradox of Music Analysis. The Proceedings of the Twentieth World Congress of Philosophy 1999:209-217.
Mark D. Gedney (2007). Critical Notice. International Journal of Philosophical Studies 15 (4):599 – 616.
Mark Wilson (1989). Critical Notice: John Earman's a Primer on Determinism. Philosophy of Science 56 (3):502-532.
David Enoch (2011). On Mark Schroeder's Hypotheticalism: A Critical Notice of Slaves of the Passions. Philosophical Review 120 (3):423-446.
Bernard Linsky (1980). Critical Notice of Mark Platts, Ways of Meaning. Canadian Journal of Philosophy 10 (3):513-523.
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