Online research in philosophy

Contemporary philosophical debates about causation are dominated by two approaches, which are often referred to as difference-making and causal process approaches to causation, respectively. I provide a characterization of the dialectic between these two approaches, on which that dialectic turns crucially on the question as to whether our common sense concept of causation involves a commitment to locality – i.e., to the claim that causal relations are always subject to spatial constraints. I then argue that we can extract from existing work on perceptual judgement (specifically work that invokes the notion of a simple theory of perception) materials for an argument in favour of a positive answer to that question, and that this work can also help to bring out a distinctive kind of role that a commitment to locality plays in our reasoning about causal relationships.

This paper presents a theory of how perception provides a basis for moral knowledge. To do this, the paper sketches a theory of perception, explores the sense in which moral perception may deserve that name, and explains how certain moral properties may be perceptible. It does not presuppose a causal account of moral properties. If, however, they are not causal, how can we perceive, say, injustice? Can it be observable even if injustice is not a causal property? The paper answers these and other questions by developing an account of how moral properties, even if not causal, can figure in perception in a way that grounds moral knowledge.

Provides the theoretical and psychological framework to the philosophy of sounds and audition. I address auditory scene analysis, spatial hearing, the audible qualities, and cross-modal interactions.

Machine generated contents note: Introduction (Katherine Hawley, University of St. Andrews and Fiona Macpherson, University of Glasgow). -- 1. Perception And The Reach Of Phenomenal Content (Tim Bayne, University of Oxford). -- 2. Seeing Causings And Hearing Gestures (Steven Butterfill, University of Warwick). -- 3. Experience And Content (Alex Byrne, Massachusetts Institute of Technology). -- 4. Is Perception A Propositional Attitude? (Tim Crane, University College London). -- 5. Conscious Reference (Alva Noë, University of California, Berkeley). -- 6. What Are The Contents Of Experiences? (Adam Pautz, University of Texas at Austin). -- 7. Aspect-Switching And Visual Phenomenal Character (Richard Price, University of Oxford). -- 8. The Visual Experience Of Causation (Susanna Siegel, Harvard University). -- 9. The Admissible Contents Of Visual Experience (Michael Tye, University of Texas at Austin). -- Index.

The primary objects of hearing are sounds: everything we hear we hear by hearing a sound. (This claim differs from Berkeley’s that we hear only sounds and from Aristotle’s that we only hear sounds.) Colored regions are primary objects of sight, and pressure resistant regions are primary objects of perception by touch. By definition, the primary objects of perception are physical. The properties of the primary objects of perception are exactly the properties sense-datum theories attribute to sense-data. Indirect Realism holds that awareness of sense-data (or something similar) mediates our perception of primary objects. Direct Realism denies this. The question when the perception of a primary object, such as parts of the surfaces of a hat and coat, is thereby the perception of a non-primary object, such as a person, is independent of the disagreement between Direct and Indirect Realism.

This paper explores some issues having to do with the perception of causation. It discusses the role that phenomena that that are associated with causal perception, such as Michottean launching interactions, play within philosophical accounts of causation and also speculates on their possible role in development.