The sentiment in musical sensibility

Journal of Aesthetics and Art Criticism 40 (4):381-393 (1982)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.2307/429969

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,164

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Piece for the end of time: In defence of musical ontology.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.
Sound sentiment: A reply to Donald Callen.Peter Kivy - 1983 - Journal of Aesthetics and Art Criticism 41 (3):332-334.
Defending musical perdurantism.Ben Caplan & Carl Matheson - 2006 - British Journal of Aesthetics 46 (1):59-69.
On music perception and cognition: Modularity, structure, and processing. [REVIEW]Lelio Camilleri - 1992 - Minds and Machines 2 (4):365-377.
Music and metaphysics.Saam Trivedi - 2008 - Metaphilosophy 39 (1):124–143.
Mencius, Hume, and sensibility theory.Xiusheng Liu - 2002 - Philosophy East and West 52 (1):75-97.

Analytics

Added to PP
2009-01-28

Downloads
18 (#777,769)

6 months
13 (#158,624)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Citations of this work

Henryk Elzenberg as a Forerunner of Anglo-American Concepts of Expression.Krzysztof Guczalski - 2012 - Estetika: The European Journal of Aesthetics 49 (2):191-231.
Making music live.Donald M. Callen - 1982 - Theoria 48 (3):139-168.

Add more citations

References found in this work

No references found.

Add more references