Abstract

The present article investigates some consequences from the rapport ofthe creative and the sedimented language in Maurice Merleau-Ponty's works. It aims at analyzing the different positions adopted by the philosopher on that rapport by considering the image of a boiling liquid as the guide for such analysis. The heuristic power of this image will help, on one side, to comprehend the different standpoints used to interpret the phenomenon of language; on the other side, it will serve as an index to follow the rectification and the radicalization of his philosophy