David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Journal of the Philosophy of History 5 (3):370-382 (2012)
Abstract In this essay I trace the role of history in the philosophy of art from the early twentieth century to the present, beginning with the rejection of history by formalists like Clive Bell. I then attempt to show how the arguments of people like Morris Weitz and Arthur Danto led to a re-appreciation of history by philosophers of art such as Richard Wollheim, Jerrold Levinson, Robert Stecker and others
|Keywords||formalism Stecker form of life Bell history Weitz Wollheim expression philosophy of art narrativism Levinson representation aesthetics Danto Neo-Wittgensteinians|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Risto Pitkänen (2010). Art and its History. Nordic Journal of Aesthetics 21 (39).
Richard Wollheim (2001). Richard Wollheim on the Art of Painting: Art as Representation and Expression. Cambridge University Press.
James Elkins (1999). Logic and Images in Art History. Perspectives on Science 7 (2):151-180.
Robert Nelson (2007). The Spirit of Secular Art: A History of the Sacramental Roots of Contemporary Artistic Values. Monash University Epress.
Mark A. Cheetham (2001). Kant, Art, and Art History: Moments of Discipline. Cambridge University Press.
Arthur Coleman Danto (1998). The Wake of Art: Essays: Criticism, Philosophy and the Ends of Taste. G+B Arts Int'l.
Noël Carroll (2001). Beyond Aesthetics: Philosophical Essays. Cambridge University Press.
Jonathan Gilmore (1995). David Carrier's Art History. Journal of Aesthetics and Art Criticism 53 (1):39-47.
Moshe Barasch (1985/2000). Theories of Art. Routledge.
Dee Reynolds (1995). Symbolist Aesthetics and Early Abstract Art: Sites of Imaginary Space. Cambridge University Press.
Cristian Hainic (2011). A Few Uses of Phenomenology Within Art History. Journal for Communication and Culture 1 (1):70-78.
Added to index2011-12-06
Total downloads61 ( #30,231 of 1,410,123 )
Recent downloads (6 months)6 ( #38,379 of 1,410,123 )
How can I increase my downloads?