Online research in philosophy

In this paper, the thesis that narrative is the form of rationality especially appropriate to morality is examined. A classification of theories of moral rationality is developed. Pure narrative and pure non-narrative theories of moral rationality are distinguished in terms of this classification, and various features of both Christian life in particular and moral life generally are considered in order to determine whether these features are more plausibly accounted for in terms of a pure narrative theory or a pure non-narrative theory of moral rationality. It is concluded that the features discussed are at least as compatible with a pure non-narrative theory as with a pure narrative theory. Finally, a series of objections to the pure narrative theory sketched by Stanley Hauerwas and David Burrell are discussed.

Abstract In this paper I explore in a preliminary way the interconnections among narrative explanation, narrative value, free will, an immortality. I build on the fascinating an suggestive work of David Velleman. I offer the hypothesis that our acting freely is what gives our lives a istinctive kin of value?narrative value. Free Will, then, is connected to the capacity to lead a meaningful life in a quite specific way: it is the ingredient which, when aded to others, enows us with a meaning over an above the cumulative value erived from ading together levels of momentary welfare. In acting freely, we are writing a sentence in the story of our lives, and the value of acting freely is thus a species of the value of artistic creativity or self-expression (understood appropriately). Finally, I contend that the fact that our lives are stories need not entail that they have endings, or that immortality would necessarily be unimaginable or essentially different from ordinary, finite human life. Yes, a certain sort of narrative understanding of our lives as a whole would be impossible in the context of immortality; but much of what we care about, and value, in our stories might remain.

The idea of narrative has been widely discussed in the recent health care literature, including nursing, and has been portrayed as a resource for both clinical work and research studies. However, the use of the term 'narrative' is inconsistent, and various assumptions are made about the nature (and functions) of narrative: narrative as a naive account of events; narrative as the source of 'subjective truth'; narrative as intrinsically fictional; and narrative as a mode of explanation. All these assumptions have left their mark on the nursing literature, and all of them (in our view) are misconceived. Here, we argue that a failure to distinguish between 'narrative' and 'story' is partly responsible for these misconceptions, and we offer an analysis that shows why the distinction between them is essential. In doing so, we borrow the concept of 'narrativity' from literary criticism. Narrativity is something that a text has degrees of, and our proposal is that the elements of narrativity can be 'sorted' roughly into a continuum, at the 'high narrativity' end of which we find 'story'. On our account, 'story' is an interweaving of plot and character, whose organization is designed to elicit a certain emotional response from the reader, while 'narrative' refers to the sequence of events and the (claimed) causal connections between them. We suggest that it is important not to confuse the emotional persuasiveness of the 'story' with the objective accuracy of the 'narrative', and to this end we recommend what might be called 'narrative vigilance'. There is nothing intrinsically authentic, or sacrosanct, or emancipatory, or paradigmatic about narrative itself, even though the recent health care literature has had a marked tendency to romanticize it.

Narrative explanations in evolutionary biology have seemed fundamentally different from other scientific explanations, and similar to historical explanations. This investigation of the structure of narrative explanations in evolutionary biology reveals that narrative explanations do have a deductive-nomological base, but that their structure contains two significant additional elements as well. The additional elements are: the multidimensional recursive connection between the different sub-explanations in a narrative explanation; and a set of generic explanations which make possible the integration of multiple co-existing processes.

This article explores and attempts to resolve some issues that arise when psychoanalytic explanations are construed as a type of historical or narrative explanation. The chief problem is this: If one rejects the claim of narratives to verisimilitude, this appears to divorce the notion of explanation from that of truth. The author examines, in particular, Donald Spence's attempt to deal with the relation of narrative explanations and truth. In his critique of Spence's distinction between narrative truth and historical truth, the author develops some suggestions regarding the role of truth in narrative explanations.

The paper describes and defends an eclectic approach to narrative explanation in history and social sciences (as well as in natural history). The view of narrative explanation defended allows combinations of several recent ideas concerning the nature of narrative explanation.The guiding idea is that the explanatory power of narratives consists in their capacity to accommodate various forms of explanations and interpretations. Narrative explanations are seen as theories abouthappenings that may consist of diverse forms of explanations, interpretations and explanation sketches. There is no single form of narrative explanation, rather narrative is seen as a form tor synthesizing various explanations.Several problems concerning explanation and narrative are discussed with relation to the proposed approach: laws in explanations, literary or fictional aspects of narratives, relativism, constructivism and noncognitivism or antirealism. Hayden White’s theory of the explanatory role of “emplotment” is discussed and criticized.The upshot is that the eclectic approach defended does not face any problems unique to it: problems faced are general epistemological problem. The literary aspects of historical narrative are interpreted as normative and rhetorical, making the relevance of these aspects tor narrative explanation depend on the question whether there are legitimate moral explanations.