Online research in philosophy

Two Themes to the Course: a.) How are we to understand the contrast between direct and indirect or immediate and mediate perception? b.) Is there any cogent reason to think we don’t have sense experience of the world around us?

The foundation of phenomenological image theories is the view that image perception leads to a perception sui generis . In order to grasp this peculiarity of image perception, two ways have traditionally been considered: either through a description of the particular object of image perception or through a description of the unique origin of image perception. This article explores a third way within the phenomenology of the image by trying to determine the uniqueness of image perception through its peculiar, necessary effects on the observer of the image. The thesis is: The observer of an image does not become an image object in the image. It is only in the case of image perception that there is relief through a gap in participation. It is the perception of something without the demand, as the perceiving person, of being physically involved in what is perceived.

This work argues for a Direct Realist view of the perception of public objects. It argues against the need for special intermediary sensory objects, or sense impressions, requiring only stages in a physical process beginning with events at the surface of a physical object, the resultant stimulation of one's sense organs, and finally the excitation of the sensory portions of one's brain.

I argue that the time-gap argument poses no objection to Direct Realism. In the case of exploded stars many light years from us, what we see is no longer the star, but its light. I argue that in all cases of seeing we see light, but only when physical objects exist at the time of our seeing do we see them.

This article provides a short introduction, aimed at non-philosophers, to the perceptual-lag argument for the representative theory of perception.

I answer objections to my article, "The Time-Gap Argument," made by C. Daniels in his "Seeing Through a Time Gap.".