David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Cambridge University Press (1996)
A selection of essays written by one of the leading critics of film over the last two decades, this volume examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, comedy, and such topics as 'sight gags', film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory, and heralding a new approach.
|Keywords||Motion pictures Philosophy Television Philosophy Television broadcasting Philosophy|
|Categories||categorize this paper)|
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|Call number||PN1995.C358 1996|
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Aaron Smuts (2010). The Ethics of Humor: Can Your Sense of Humor Be Wrong? Ethical Theory and Moral Practice 13 (3):333-47.
Diarmuid Costello & Dawn M. Phillips (2009). Automatism, Causality and Realism: Foundational Problems in the Philosophy of Photography. Philosophy Compass 4 (1):1-21.
Andrew Kania (2009). Musical Recordings. Philosophy Compass 4 (1):22-38.
Margrethe Bruun Vaage (2010). Fiction Film and the Varieties of Empathic Engagement. Midwest Studies in Philosophy 34 (1):158-179.
Anne Bartsch (2010). Vivid Abstractions: On the Role of Emotion Metaphors in Film Viewers' Search for Deeper Insight and Meaning. Midwest Studies in Philosophy 34 (1):240-260.
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