Theorizing the Moving Image
Cambridge University Press (1996)
| Abstract | A selection of essays written by one of the leading critics of film over the last two decades, this volume examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, comedy, and such topics as 'sight gags', film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory, and heralding a new approach. | |||||||||
| Keywords | Motion pictures Philosophy Television Philosophy Television broadcasting Philosophy | |||||||||
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| Buy the book | $109.64 new (26% off) $115.88 direct from Amazon (22% off) Amazon page | |||||||||
| Call number | PN1995.C358 1996 | |||||||||
| ISBN(s) | 0521460492 9780521460491 | |||||||||
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Richard Allen & Murray Smith (eds.) (1997). Film Theory and Philosophy. Oxford University Press.
John Mullarkey (2009). Refractions of Reality: Philosophy and the Moving Image. Palgrave Macmillan.
Hamid Naficy (ed.) (1999). Home, Exile, Homeland: Film, Media, and the Politics of Place. Routledge.
Gregory Currie (1995). Image and Mind: Film, Philosophy and Cognitive Science. Cambridge University Press.
Havi Carel & Greg Tuck (eds.) (2011). New Takes in Film-Philosophy. Palgrave Macmillan.
Gaston Roberge (1992). The Ways of Film Studies: Film Theory & the Interpretation of Films. Ajanta Publications.
Noël Carroll (2008). The Philosophy of Motion Pictures. Blackwell Pub..
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