Online research in philosophy

A Critical Sense brings together, in their own words, the leading figures of contemporary radical theory. Moving freely between philosophy, politics and cultural studies, this book offers a fascinating overview of the lines of thought of today's intellectual left. Marxism, feminism, psychoanalysis and critical theory, literary studies, deconstruction, pragmatism, postcolonial and queer theory are discussed in a series of interviews from the journal Radical Philosophy . The intellectuals at the center of these debates are: Judith Butler, Cornelius Castoriadis, Drucilla Cornell, Axel Honneth, Istvan Meszaros, Edward Said, Renata Salecl, Gayatri Chakravorty Spivak, Cornel West, and Slavoj Zizek. A Critical Sense will throw new, and often surprising, light on the intellectual debates of our time.

Identification as a psychological concept is widely used in psychology and in social science. This use relies on an ordinary understanding of what identification is, and this understanding has itself been influenced by psychoanalysis. The concept is, however, in need of philosophical exploration. Central to its use is the idea of character, its nature and its development, which like identification itself is under-theorized. I use Richard Wollheim's philosophical analysis of identification in terms of the imagination, to trace a path from ordinary psychology's conception of characterological identification to the psychoanalytic one. I link this to a short discussion of character as a conception of the self available to reflection. Making reference to some psychoanalytic case material, I defend psychoanalysis? version of identification and its applicability in psychology and the social sciences.

This book is an introduction to the key ideas contained in Cornelius Castoriadis' radical new theory of society and history, as well as a critical exploration ...

Do psychological perspectives constitute the only way through which the role of musical creativity in education can be addressed, researched and theorised? This essay attempts to offer an alternative view of musical creativity as a deeply social and political form of human praxis, by proposing a perspective rooted in the thought of the political philosopher and activist Cornelius Castoriadis (1922–1997). This is done in two steps. First, an attempt is made to place the pursuit of the concept of musical creativity within a larger educational and societal context of conflicting trajectories that run through (a) Modernity and (b) Education. Then, I revisit the issue of educational value of improvising and composing through creating conceptual links between the process of music-making through improvisation and composition and the project of political autonomy as conceived by Castoriadis. By foregrounding instituting imaginary over instituted imaginary, improvising and composing become active processes of positing new legitimacies, and of creating a music-making context that searches for its own foundations. It is in and through creative musical praxis that we can think about issues of hierarchies, musical values, social dimensions of different music-making processes, our relationship to past values and to historical dimensions of music. By arguing that improvisation and composition might be seen as ways of positing the issue of political autonomy in musical terms, this paper emphasises the role of improvisation and composition as a mode of potentially transformative educational practice that may foster the development of critical consciousness, linking music education to a larger project of re-discovering and at the same time re-defining democracy.

Peter Homans offers a new understanding of the origins of psychoanalysis and relates the psychoanalytic project as a whole to the sweep of Western culture, past and present. He argues that Freud's fundamental goal was the interpretation of culture and that, therefore, psychoanalysis is fundamentally a humanistic social science. To establish this claim, Homans looks back at Freud's self-analysis in light of the crucial years from 1906 to 1914 when the psychoanalytic movement was formed and shows how these experiences culminated in Freud's cultural texts. By exploring the "culture of psychoanalysis," Homans seeks a better understanding of what a "psychoanalysis of culture" might be. Psychoanalysis, Homans shows, originated as a creative response to the withering away of traditional communities and their symbols in the aftermath of the industrial revolution. The loss of these attachments played a crucial role in the lives of the founders of psychoanalysis, especially Sigmund Freud but also Karl Abraham, Carl Jung, Otto Rank, and Ernest Jones. The personal, political, and religious losses that these figures experienced, the introspection that followed, and the psychological discovery that resulted are what Homans calls "the ability to mourn." Homans expands this historical analysis to construct a general model of psychological discovery: the loss of shared ideals and symbols can produce a deeper sense of self (psychological structure-building, or individuation) and can then lead to the creation of new forms of meaning and self-understanding. He shows how Freud, Jung, and other psychoanalysts began to extend their introspection outward, reinterpreting the meanings of Western art, history, and religion. In conclusion, Homans evaluates Freud's theory of culture and discusses the role that psychoanalysis might play in social and cultural criticism. Throughout the book, Homans makes use of the many histories, biographies, and psychobiographies that have been written about the origins of psychoanalysis, drawing them into a comprehensive sociocultural model. Rich in insights and highly original in approach, this work will interest psychoanalysts and students of Freud, sociologists concerned with modernity and psychoanalysis, and cultural critics in the fields of religion, anthropology, political science, and social history.

In this interview, Cornelius Castoriadis explains and develops many of the central themes in his later writings on politics and social criticism. In particular, he poignantly articulates his critique of contemporary pseudo-democracy, while advocating a form of democracy founded on collective education and self-government. He also explores how the “insignificance” in the current political arena relates to insignificance in other areas, such as the arts and philosophy, to form the core feature of our Zeitgeist. Finally, he seeks to break through the ideological fog of liberalism and privatization in order to voice a radical appeal for an autonomous, self-limiting society.

Providing interpretations and drawing critically from classical and modern social theory, post-structuralism, and psychoanalytic theory, this original study offers an alternative way of thinking about the social and the individual. It offers critical analyses of, among others, Marx, Giddens, Bourdieu, Derrida, Laclau and Mouffe, Castoriadis, Freud and modern psychoanalytic theorists, and considers their roles in advancing our present-day conceptualization of the social and the self. In theorizing that behaviour is both socially determined and autonomous, it avoids the impasses of either individualist or structuralist approaches.

These remarkable essays include Cornelius Castoriadis's latest contributions to philosophy, political and social theory, classical studies, development theory, cultural criticism, science, and ecology. Examining the "co-birth" in ancient Greece of philosophy and politics, Castoriadis shows how the Greeks' radical questioning of established ideas and institutions gave rise to the "project of autonomy". The "end of philosophy" proclaimed by Postmodernism would mean the end of this project. That end is now hastened by the lethal expansion of technoscience, the waning of political and social conflict, and the resignation of intellectuals who blindly defend Western culture as it is or who merely denounce or "deconstruct" it as it has been. Discussing and criticizing Plato, Aristotle, Leibniz, Kant, Hegel, Weber, Heidegger, and Habermas, the author of The Imaginary Institution of Society and Crossroads in the Labyrinth poses a radical challenge to our inherited philosophy.

This collection presents a broad and compelling overview of the most recent work by a world-renowned figure in contemporary thought. The book is in four parts: Koinonia, Polis, Psyche, Logos. The opening section begins with a general introduction to the author's views on being, time, creation, and the imaginary institution of society and continues with reflections on the role of the individual psyche in racist thinking and acting. The second part is a critique of those who now belittle and distort the meaning of May 1968 and other movements of the sixties as well as the French Revolution. In part three, Castoriadis shows how psychoanalysis, like politics, can contribute to the project of individual and collective autonomy and challenges Lacan, Foucault, and Derrida, and others in his report on 'The State and Subject Today'. Finally he examines how Aristotle's original aporetic discovery and cover-up of the imagination were repeated by Kant, Freud, Heidegger, and even Merleau-Ponty.