Online research in philosophy

The question I am interested in revolves around Kant’s notion of the unity of experience. My central claim will be that, apart from the unity of experiencings and the unity of individual substances, there is a third unity: the unity of Experience. I will argue that this third unity can be conceived of as a sort of ‘experiential space’ with the Aesthetic and Categories as dimensions. I call this ‘Euclidean Experience’ to emphasize the idea that individual experiencings have a ‘location’ within this framework much like individual objects have a location in space and time. The first sort of unity, that of experiences (or ‘experiencings’ as I will call them) is not enough. In order to have self-consciousness (ascribed atomic experiencings) there must be a consciousness in which the experiencings ‘take place’ just as in order for there to be objects there must be space in..

Many philosophers have held that it is not possible to experience a spatial object, property, or relation except against the background of an intact awareness of a space that is somehow ‘absolute’. This paper challenges that claim, by analyzing in detail the case of a brain-damaged subject whose visual experiences seem to have violated this condition: spatial objects and properties were present in his visual experience, but space itself was not. I go on to suggest that phenomenological argumentation can give us a kind of evidence about the nature of the mind even if this evidence is not absolutely incorrigible.

My concern in this paper is with the aspect of the phenomenal character of visual experience that pertains to its spatial dimension. I shall refer to this aspect as visual space. Kant famously claimed that the representation of space is the a priori form of the faculty of sensibility. This claim is sometimes interpreted as the view that visual space is a pictorial canvas contributed by the mind on which sensations such as color experiences are organized. This reading, whether it is correct or not, consists of at least two independent claims. First, visual space is contributed by the mind. Second, visual space is a pictorial canvas. Both of theses claims, of course, demand further explication. However.

Immanuel Kant is one of the most influential philosophers in the history of Western philosophy. His contributions to metaphysics, epistemology, ethics, and aesthetics have had a profound impact on almost every philosophical movement that followed him. This portion of the Encyclopedia entry will focus on his metaphysics and epistemology in one of his most important works, The Critique of Pure Reason . (All references will be to the A (1781) and B(1787) edition pages in Werner Pluhar's translation. Indianapolis: Hackett, 1996.) A large part of Kant's work addresses the question "What can we know?" The answer, if it can be stated simply, is that our knowledge is constrained to mathematics and the science of the natural, empirical world. It is impossible, Kant argues, to extend knowledge to the supersensible realm of speculative metaphysics. The reason that knowledge has these constraints, Kant argues, is that the mind plays an active role in constituting the features of experience and limiting the mind's access to the empirical realm of space and time.

In this paper, I start with the opposition between the Husserlian project of a phenomenology of the experience of time, started in 1905, and the mathematical and physical theory of time as it comes out of Einstein’s special theory of relativity in the same year. Although the contrast between the two approaches is apparent, my aim is to show that the original program of Husserl’s time theory is the constitution of an objective time and a time of the world, starting from the intuitive giveness of time, i.e., from time as it appears. To show this, I stress the structural similarity between Husserl’s original question of time and the problem of a phenomenology of space constitution as it was first developed in the his manuscripts from the nineteenth century, in which we find the threefold question of the origin of our representation of space, of the geometrization of intuitive space, and of the constitution of transcendent world space. Finally, I reconsider some of Husserl’s main theses about the phenomenological constitution of objective time in light of the main results of special relativity time-theory, introducing several corrections to central assumptions that underlie Husserl’s theory of time.

How, if at all, does the internal structure of human phenomenological color space map onto the internal structure of objective reflectance‐profile space, in such a fashion as to provide a useful and accurate representation of that objective feature space? A prominent argument (due to Hardin, among others) proposes to eliminate colors as real, objective properties of objects, on grounds that nothing in the external world (and especially not surface‐reflectance‐profiles) answers to the well‐known and quite determinate internal structure of human phenomenological color space. The present paper proposes a novel way to construe the objective space of possible reflectance profiles so that (1) its internal structure becomes evident, and (2) that structure’s homomorphism with the internal structure of human phenomenological color space becomes obvious. The path is thus reopened to salvage the objective reality of colors, in the same way that we preserved the objective reality of such features as temperature, pitch, and sourness—by identifying them with some objective feature recognized in modern physical theory.

What is it for a thinker to possess the concept of perceptual experience? What is it to be able to think of seeings, hearings and touchings, and to be able to think of experiences that are subjectively like seeings, hearings and touchings?

b>: The problem of how physical systems, such as brains, come to represent themselves as subjects in an objective world is addressed. I develop an account of the requirements for this ability that draws on and refines work in a philosophical tradition that runs from Kant through Peter Strawson to Gareth Evans. The basic idea is that the ability to represent oneself as a subject in a world whose existence is independent of oneself involves the ability to represent space, and in particular, to represent oneself as one object among others in an objective spatial realm. In parallel, I provide an account of how this ability, and the mechanisms that support it, are realized neurobiologically. This aspect of the article draws on, and refines, work done in the neurobiology and psychology of egocentric and allocentric spatial representation.