David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Philosophy East and West 49 (2):150-173 (1999)
The power of the arts to transform animates Li Zehou's aesthetics, well known to Chinese aestheticians but little known in the West. Li believes his sedimentation theory combined with his reinterpretations of Marx and traditional Chinese thought overcome weaknesses in Western aesthetics. Ideas Li sees as fundamental to aesthetic development, the transforming powers of aesthetic experience, and goals Li sets for self-cultivation and creativity as artists confront contemporary global issues are examined. Perhaps overly sanguine to jaded Western readers, Li's confidence that Chinese traditional philosophies and aesthetics can respond constructively to the disruptions of contemporary culture and technology are thought-provoking and insightful
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