Online research in philosophy

Alice Crary has recently developed a radical reading of J.L. Austin's philosophy of language. The central contention of Crary's reading is that Austin gives convincing reasons to reject the idea that sentences have context-invariant literal meaning. While I am in sympathy with Crary about the continuing importance of Austin's work, and I think Crary's reading is deep and interesting, I do not think literal sentence meaning is one of Austin's targets, and the arguments that Crary attributes to Austin or finds Austinian in spirit do not provide convincing reasons to reject literal sentence meaning. In this paper, I challenge Crary's reading of Austin and defend the idea of literal sentence meaning.

The late J.L. Austin's influence on contemporary philosophy was substantial during his lifetime, and has grown greatly since his death in 1960. This third edition of Philosophical Papers, the first edition of which was published in 1961, includes all of Austin's published papers (except "Performatif-Constatif") as well as a new essay entitled "The Line and the Cave in Plato's Republic", which has been reconstructed from Austin's notes.

Austin’s destructive contextualist criticism of the theory of knowledge, as grounded on foundationalism, is presented. It is claimed that incorrigibility is not a secondary issue for the foundationalist conception of knowledge and justification, even if the hallmark of foundationalism is not to be sought in the so-called ‘quest for certainty’, but rather in the idea of epistemological realism.

Austin rejects the contention that every proposition has a contradictory. This paper finds problems with the case Austin makes for rejecting the contention in question.

: Stanley Cavell reflects on the writing of Barbara Cassin in light of his interest in interpreting certain philosophers as "philosophically destructive," where this destructiveness may in fact be understood as philosophically creative. Cavell suggests that the writings of Austin and Wittgenstein may be considered in these terms, and speculates on the potential interest these writers might have for Cassin. Cassin's call for a rethinking of philosophy might be seen as uniquely essential to the practice of Austin and Wittgenstein.

Introduction CavelTs Voices and Derrida's Grammatology The stature of Stanley Cavell is increasingly considered unique among living American philosophers ...

Stanley Cavell has been a brilliant, idiosyncratic, and controversial presence in American philosophy, literary criticism, and cultural studies for years. Even as he continues to produce new writing of a high standard -- an example of which is included in this collection -- his work has elicited responses from a new generation of writers in Europe and America. This collection showcases this new work, while illustrating the variety of Cavell's interests: in the "ordinary language" philosophy of Wittgenstein and Austin, in film criticism and theory, in literature, psychoanalysis, and the American transcendentalism of Ralph Waldo Emerson and Henry David Thoreau. The collection also reprints Richard Rorty's early review of Cavell's magnum opus, The Claim of Reason (1979), and it concludes with Cavell's substantial set of responses to the essays, a highlight of which is his engagement with Rorty.

J. L. Austin famously thought that facts about the circumstances in which it is ordinarily appropriate and reasonable to make (challenge) claims to knowledge have a great bearing on the propriety of a philosophical account of knowledge. His major criticism of the epistemological doctrines about which he wrote was precisely that they lacked fidelity to our ordinary linguistic practices. In The Significance of Philosophical Scepticism, Barry Stroud argues that Austin was misguided: it is one thing for it to be inappropriate under ordinary circumstances to (say) deny that someone knows that P, another thing for it to be true that she knows that P. Thus, to the philosophical enterprise of determining which knowledge attributions are true, Austin's form of criticism is beside the point. I argue that, attractive though it may be, this response to Austin badly under-estimates the force of his sort of criticism.