David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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University of Chicago Press (1984)
In the first essay of this book, Stanley Cavell characterizes philosophy as a "willingness to think not about something other than what ordinary human beings think about, but rather to learn to think undistractedly about things that ordinary human beings cannot help thinking about, or anyway cannot help having occur to them, sometimes in fantasy, sometimes as a flash across a landscape." Fantasies of film and television and literature, flashes across the landscape of literary theory, philosophical discourse, and French historiography give Cavell his starting points in these twelve essays. Here is philosophy in and out of "school," understood as a discipline in itself or thought through the works of Shakespeare, Molière, Kierkegaard, Thoreau, Brecht, Makavejev, Bergman, Hitchcock, Astaire, and Keaton.
|Keywords||Philosophy, Modern Motion pictures Philosophy Drama Criticism|
|Categories||categorize this paper)|
|Buy the book||$17.96 new (31% off) $26.00 direct from Amazon Amazon page|
|Call number||B945.C273.T44 1988|
|ISBN(s)||0865471460 9780226097886 0226097889|
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Citations of this work BETA
Stanley Cavell & Paul Standish (2012). Stanley Cavell in Conversation with Paul Standish. Journal of Philosophy of Education 46 (2):155-176.
Naoko Saito (2011). Quiet Desperation, Secret Melancholy: Polemos and Passion in Citizenship Education. Ethics and Education 6 (1):3 - 14.
Stephen Mulhall (2007). XI-Film as Philosophy: The Very Idea. Proceedings of the Aristotelian Society 107 (1pt3):279-294.
Naoko Saito (2006). Philosophy as Education and Education as Philosophy: Democracy and Education From Dewey to Cavell. Journal of Philosophy of Education 40 (3):345–356.
Espen Dahl (2011). On Morality of Speech: Cavell's Critique of Derrida. [REVIEW] Continental Philosophy Review 44 (1):81-101.
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