David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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In this major reinterpretation, Howard Caygill argues that all of Benjamin's work is characterized by its focus on a concept of experience derived from Kant but applied by Benjamin to objects as diverse as urban experience, visual art, literature and philosophy. The book analyzes the development of Benjamin's concept of experience in his early writings showing that it emerges from an engagement with visual experience, and in particular the experience of colour. By representing Benjamin as primarily a thinker of the visual field, Caygill is able to bring forward previously neglected texts on inscription and the visual field and to cast many of his more familiar texts, for instance the Work of Art in an Age of Mechanical Reproduction in a new light.
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|Call number||B3209.B584.C38 1998|
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Simona Mitroiu (2011). To Collect in Order to Survive. Cultura 8 (1):213-222.
Colby Dickinson (2013). Citing 'Whatever'Authority: The Ethics of Quotation in the Work of Giorgio Agamben. Educational Philosophy and Theory 46 (4):1-15.
Chris Jenks & Tiago Neves (2000). A Walk on the Wild Side: Urban Ethnography Meets theFl'neur. Cultural Values 4 (1):1-17.
Warwick Mules (2006). Creativity, Singularity and Techné: The Making and Unmaking of Modern Visual Objec. Angelaki 11 (1):75 – 87.
Graham MacPhee (2006). From Reproduction to Reproducibility. Angelaki 11 (1):65 – 74.
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