Online research in philosophy

: The concepts of intention and intentionality were particularly significant notions within the Christian, Jewish, and Islamic medieval philosophical traditions, and they regained philosophical importance in the twentieth century. The theories of intention and intentionality of the medieval Islamic philosopher and physician Ibn Sina and the phenomenological philosopher and mathematician Edmund Husserl are examined, compared, and contrasted here, showing that Ibn Sina's conception of intention is naturalistic and, in its naturalism, is influenced by the medical professional culture to which Ibn Sina belonged. As well, Husserl's anti-naturalistic conception of intentionality is influenced by his background as a mathematician and by his desire to ground mathematics and the empirical sciences in a truly scientific philosophy. In conclusion, an argument is presented for the superiority of the Husserlian transcendentalist account of intentionality over the Avicennian naturalistic account, on the grounds that the latter falls prey to psychologism and reductionism, the two specters that according to Husserl must haunt all naturalistic accounts of consciousness.

This paper argues against the view that the Freudian unconscious can be understood as an extension of ordinary belief-desire psychology. The paper argues that Freud’s picture of the mind challenges the paradigm of folk psychology, as it is understood by much contemporary philosophy of psychology and cognitive science. The dynamic unconscious postulated by psychoanalysis operates according to rules and principles which are distinct in kind from those rules that organise rational and conscious thought. Psychoanalysis offers us a radical reconception of our ordinary way of thinking about our own minds.

Intentionality is a property of an important class of things: things that represent, or are about something. Thus a belief or sentence or story is about something, a painting or photo is of something, a sign is a sign of something, and a desire is a desire for something. These disparate things all display intentionality. They have content; they represent some state of affairs beyond themselves. The represented state of affairs need not be actual, and is not in the cases of false belief, unfulfilled desire, or Salvadore Dali painting.

Alasdair MacIntyre argues that Freud's conception of the unconscious is complicated by his tendency to use the term in two different ways. MacIntyre shows how Freud uses the term "unconscious" both as a straightforward description of psychological phenomena, and as an evaluative notion to explain the links between childhood events and adult behavior. This clarification helps to shed light on the many misunderstandings of psychoanalysis, and to separate out what is and what is not of lasting value in Freud's account of the unconscious. This new edition includes a substantial new preface by the author, in which he discusses repression, determinism, transference, and "practical rationality," and offers a rare comparison of Aristotle and Lacan on the concept of desire. MacIntyre takes the opportunity to reflect both on the reviews and criticisms of the first edition and also on his own philosophical stance.

Some philosophers think that intentionality is ontologically distinct from phenomenal consciousness; call this the Thesis of Separation. Terence Horgan and John Tienson (2002, p. 520) call this.

Since the seventies, it has been customary to assume that intentionality is independent of consciousness. Recently, a number of philosophers have rejected this assumption, claiming intentionality is closely tied to consciousness, inasmuch as non- conscious intentionality in some sense depends upon conscious intentionality. Within this alternative framework, the question arises of how to account for unconscious intentionality, and different authors have offered different accounts. In this paper, I compare and contrast four possible accounts of unconscious intentionality, which I call potentialism, inferentialism, eliminativism, and interpretivism. The first three are the leading accounts in the existing literature, while the fourth is my own proposal, which I argue to be superior. I then argue that an upshot of interpretivism is that all unconscious intentionality is ultimately grounded is a specific kind of cognitive phenomenology.

When perceiving, explaining, or criticizing human behavior, people distinguish between intentional and unintentional actions. To do so, they rely on a shared folk concept of intentionality. In contrast to past speculative models, this article provides an empirically-based model of this concept. Study 1 demonstrates that people agree substantially in their judgments of intentionality, suggesting a shared underlying concept. Study 2 reveals that when asked to directly define the term intentional, people mention four components of intentionality: desire, belief, intention, and awareness. Study 3 confirms the importance of a fifth component, namely, skill. In light of these findings, the authors propose a model of the folk concept of intentionality and provide a further test in Study 4. The discussion compares the proposed model to past ones and examines its implications for social perception, attribution, and cognitive development.

Intentionality is the mind’s capacity to direct itself on things. Mental states like thoughts, beliefs, desires, hopes (and others) exhibit intentionality in the sense that they are always directed on, or at, something: if you hope, believe or desire, you must hope, believe or desire something. Hope, belief, desire and any other mental state which is directed at something, are known as intentional states. Intentionality in this sense has only a peripheral connection to the ordinary ideas of intention and intending. An intention to do something is an intentional state, since one cannot intend without intending something; but intentions are only one of many kinds of intentional mental states. The terminology of intentionality derives from the scholastic philosophy of the Middle Ages, and was revived by Brentano in 1874. Brentano characterized intentionality in terms of the mind’s direction upon an object, and emphasized that the object need not exist. He also claimed that it is the intentionality of mental phenomena that distinguishes them from physical phenomena. These ideas of Brentano’s provide the background to twentieth-century discussions of intentionality, in both the phenomenological and analytic traditions. Among these discussions, we can distinguish two general projects. The first is to characterize the essential features of intentionality. For example, is intentionality a relation? If it is, what does it relate, if the object of an intentional state need not exist in order to be thought about? The second is to explain how intentionality can occur in the natural world. How can..

In this paper I investigate the notion of an unconscious intention as it is discussed and defended in Freud's A General Introduction to Psychoanalysis. I am concerned with two issues: first, whether the evidence that Freud adduces supports his conclusion that there are unconscious intentions, and, second, whether the notion of an unconscious intention is coherent. I call into question some of Freud's arguments to support the notion, and I present a case for the incoherence of the notion. Finally, I suggest how one might begin to reconcile my argument for its incoherence with an argument for the existence of unconscious intentions.

Does the unconscious exist? Cultural critic Antony Easthope answers with a witty, lucid, informed "yes" and draws out its implications for the way we live, how we enjoy art, and how we think about people in society and history. Drawing on the writings of Freud and Lacan, he argues that the study of the unconscious is a way of analyzing meanings across culture as an effect of desire. Easthope tests for unconscious significance in an amazing variety of examples, including jokes, Tampax advertisements, Hamlet , Hitchcock's Psycho , the life and death of Princess Di, Terminator 2 , Bob Geldof's autobiography, and the film Titanic.