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- Andy Clark (2006). Memento's Revenge: The Extended Mind, Extended. In Richard Menary (ed.), Objections and Replies to the Extended Mind. Ashgate.
Similar books and articles
forthcoming in R. Menary (ed.), The Extended Mind.
In Supersizing the Mind: Embodiment, Action, and Cognitive Extension (Clark, 2008), Andy Clark bolsters his case for the extended mind thesis and casts a critical eye on some related views for which he has less enthusiasm. To these ends, the book canvasses a wide range of empirical results concerning the subtle manner in which the human organism and its environment interact in the production of intelligent behavior. This fascinating research notwithstanding, Supersizing does little to assuage my skepticism about the hypotheses of extended cognition and extended mind. In particular, Supersizing fails to make the case for the extended view as a revolutionary thesis in the theoretical foundations of cognitive science.
Andy Clark and David Chalmers have recently argued that the world beyond our skin can constitute part of the mind. That is, our minds can and sometimes do extend beyond our heads and bodies. Clark and Chalmers refer to this claim as the 'Extended Mind'. After illustrating the Extended Mind via a thought-experiment I turn to consider a criticism made by Lawrence Shapiro. After outlining Shapiro's claim I will show that in fact this does little to call into to doubt the Extended Mind. However, Clark holds that the Extended Mind does face a serious criticism from the threat of 'Mental Bloat'; the worry here is that arguing that the mind extends beyond the skin quickly leads to absurdities. I consider Clark's response to this worry but find it to be unconvincing. However, I go on to show that there is in fact little to fear from Mental Bloat. Therefore, it will be my conclusion that there is some reason to hold that the mind ain't just in the head.
In this paper, I compare John Locke’s “memory theory” of personal identity and Memento (directed by Christopher Nolan). I argue that the plot of Memento is ambiguous, in that the main character (Leonard Shelby, played by Guy Pearce) seems to have two histories. As such, Memento is but a series of puzzle cases that intend to illustrate that, although our memories may not be chronologically related to one another, and may even be fused with the memories of other persons, those memories still constitute personal identity. Just as Derek Parfit argues, perhaps there is no personal identity as such, since only survival (in some degree) matters to us. In Memento, Leonard Shelby is not identity to his former self, but survives to some extent.
The extended-mind thesis says that mental states can extend beyond one’s skin. Clark and Chalmers infer from this that the subjects of such states also extend beyond their skin: the extended-self thesis. The paper asks what exactly the extended-self thesis says, whether it really does follow from the extended-mind thesis, and what it would mean if it were true. It concludes that the extended-self thesis is unattractive, and does not follow from the extended mind unless thinking beings are literally bundles of mental states.
Is consciousness all in the head, or might the minimal physical substrate for some forms of conscious experience include the goings on in the (rest of the) body and the world? Such a view might be dubbed (by analogy with Clark and Chalmers’s ( 1998 ) claims concerning ‘the extended mind’) ‘the extended conscious mind’. In this article, I review a variety of arguments for the extended conscious mind, and find them flawed. Arguments for extended cognition, I conclude, do not generalize to arguments for an extended conscious mind.
In the movie, Memento, the hero, Leonard, suffers from a form of anterograde amnesia that results in an inability to lay down new memories. Nonetheless, he sets out on a quest to find his wife’s killer, aided by the use of notes, annotated polaroids, and (for the most important pieces of information obtained) body tattoos. Using these resources he attempts to build up a stock of new beliefs and to thus piece together the puzzle of his wife’s death. At one point in the movie, a character exasperated by Leonard’s lack of biological recall, shouts: “YOU know? What do YOU know. YOU don’t know anything. In 10 minutes time YOU won’t even know you had this conversation” Leonard, however, believes that he does, day by day, come to know new things. But only courtesy of those photos, tattoos, tricks and ploys. Who is right?These are the kinds of question addressed at length in the paper (co-authored with David Chalmers) ‘The Extended Mind’. Is the mind contained (always? sometimes? never?) in the head? Or does the notion of thought allow mental processes (including believings) to inhere in extended systems of body, brain and aspects of the local environment? The answer, we claimed, was that mental states, including states of believing, could be grounded in physical traces that remained firmly outside the head. As long as a few simple conditions were met (more on which below), Leonard’s notes and tattoos could indeed count as new additions to his store of long-term knowledge and dispositional belief. In the present treatment I revisit this argument, defending our strong conclusion against a variety of subsequent observations and objections. In particular, I look at objections that rely on a contrast between the (putatively) intrinsic content of neural symbols and the merely derived content of external inscriptions, at objections concerning the demarcation of scientific domains via natural kinds, and at objections concerning the ultimate locus of agentive control and the nature of perception versus introspection. I also mention a possible alternative interpretation of the argument as (in effect) a reductio of the very idea of the mind as an object of scientific study. This is an interesting proposal.
In the movie, Memento, the hero, Leonard, suffers from a form of anterograde amnesia that results in an inability to lay down new memories. Nonetheless, he sets out on a quest to find his wife’s killer, aided by the use of notes, annotated polaroids, and (for the most important pieces of information obtained) body tattoos. Using these resources he attempts to build up a stock of new beliefs and to thus piece together the puzzle of his wife’s death. At one point in the movie, a character exasperated by Leonard’s lack of biological recall, shouts.
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