Graduate studies at Western
Environmental Philosophy 8 (1):1-24 (2011)
|Abstract||This essay investigates the correlation between theological investigations of culture and those of the natural world. A fruitful question emerges when reflecting on how theological thinking resides between these subjects: how does our theological reflection on art meaningfully inform our consideration of nature? The path to exploring this question takes the form of questioning three different works of art: Willem Moreelse’s A Portrait of a Scholar, Francis Bacon’s Landscape,and Joseph Beuys’ Lightning with Stag in Its Glare. Exploring the interconnection between these works, a hermeneutical mediation between art, place, and the spiritual is suggested|
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