British Journal of Aesthetics 49 (1):59-73 (2009)
|Abstract||This paper contrasts individual and collective listening to music, with particular regard to the expressive qualities of music. In the first half of the paper a general model of joint attention is introduced. According to this model, perceiving together modifies the intrinsic structure of the perceptual task, and encourages a convergence of responses to a greater or lesser degree. The model is then applied to music, looking first at the silent listening situation typical to the classical concert hall, and second the noisy listening situation typical to rock or jazz concerts. CiteULike Connotea Del.icio.us What's this?|
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
|Through your library||Configure|
Similar books and articles
Laird Addis (1999). Of Mind and Music. Cornell University Press.
Robin Maconie (1990). The Concept of Music. Oxford University Press.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
David Schwarz (1997). Listening Subjects: Music, Psychoanalysis, Culture. Duke University Press.
John Campbell (2005). Joint Attention and Common Knowledge. In Naomi M. Eilan, Christoph Hoerl, Teresa McCormack & Johannes Roessler (eds.), Joint Attention: Communication and Other Minds: Issues in Philosophy and Psychology. Oxford: Clarendon Press.
Ruth Herbert (2011). Everyday Music Listening: Absorption, Dissociation and Trancing. Ashgate Pub. Co..
Joel Krueger (2009). Enacting Musical Experience. Journal of Consciousness Studies 16 (2-3):98-123.
W. A. Mathieu (2010). Bridge of Waves: What Music is and How Listening to It Changes the World. Shambhala.
Joel Krueger (2011). Doing Things with Music. Phenomenology and the Cognitive Sciences 10 (1):1-22.
Added to index2009-01-28
Total downloads18 ( #74,462 of 722,742 )
Recent downloads (6 months)1 ( #60,247 of 722,742 )
How can I increase my downloads?