The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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OUP Oxford (2013)
How can an abstract sequence of sounds so intensely express emotional states? In the past ten years, research into the topic of music and emotion has flourished. This book explores the relationship between music and emotion, bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers
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Penelope Gouk, Music as a Means of Social Control: Some Examples of Practice and Theory in Early Modern Europe.
Christine Jeanneret, Gender Ambivalence and the Expression of Passions in the Performances of Early Roman Cantatas by Castrati and Female Singers.
Klaus R. Scherer, Eduardo Coutinho, T. Cochrane, B. Fantini & K. R. Scherer, How Music Creates Emotion: A Multifactorial Process Approach.
Klaus R. Scherer, Lucy Schaufer, Bruno Taddia & Christoph Prégardien, The Singer's Paradox: On Authenticity in Emotional Expression on The.
Wiebke Trost & Patrik Vuilleumier, Rhythmic Entrainment as a Mechanism for Emotion Induction by Music: A Neurophysiological Perspective.
Ulrik Volgsten, Emotions, Identity, and Copyright Control: The Constitutive Role of Affect Attunement and its Implications for the Ontology of Music.
Luca Zoppelli, " Mors Stupebit": Multiple Levels of Fear-Arousing Mechanisms in Verdi's Messa da Requiem.
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