Adapting Philosophy: Jean Baudrillard and the Matrix Trilogy
Manchester University Press (2009)
| Abstract | This book looks at the ways in which The Matrix Trilogy adapts Jean Baudrillard’s Simulacra and Simulation, and in doing so creates its own distinctive philosophical position. Where previous work in the field has presented the trilogy as a simple ‘beginner’s guide’ to philosophy, this study offers a new methodology for inter-relating philosophy and film texts, focusing on the conceptual role played by imagery in both types of text. This focus on the figurative enables a new-found appreciation of the liveliness of philosophical writing and the multiple philosophical dimensions of Hollywood films. The book opens with a critical overview of existing philosophical writing on The Matrix Trilogy and goes on to draw on adaptation theory and feminist philosophy in order to create a new methodology for interlinking philosophical and filmic texts. Three chapters are devoted to detailed textual analysis of the films, tracing the ways in which the imagery that dominates Baudrillard’s writing is adapted and transformed by the trilogy’s complex visuals and soundtrack. The conclusion situates the methodology developed throughout the book in relation to other approaches currently emerging in the new field of Film-Philosophy. The book’s multi-disciplinary approach encompasses Philosophy, Film Studies and Adaptation Theory and will be of interest to undergraduates and postgraduates studying these subjects. It also forms part of the developing interdisciplinary field of Film-Philosophy. The detailed textual analysis of The Matrix Trilogy will also be of interest to anyone wishing to deepen their understanding of the multi-faceted nature of this seminal work | |||||||||
| Keywords | Philosophy in motion pictures | |||||||||
| Categories | No categories specified (fix it) | |||||||||
| Buy the book | $21.37 new (29% off) $26.96 direct from Amazon (10% off) Amazon page | |||||||||
| Call number | PN1997.M395.C66 2009 | |||||||||
| ISBN(s) | 0719075327 | |||||||||
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| Through your library | Configure |
Gaston Roberge (1992). The Ways of Film Studies: Film Theory & the Interpretation of Films. Ajanta Publications.
Catherine Savage (1969). The Trilogy of Jean Cayrol. Thought 44 (4):513-530.
Trevor Whittock (1990). Metaphor and Film. Cambridge University Press.
Richard J. Lane (2009). Jean Baudrillard. Routledge.
Patricia Pisters (2003). The Matrix of Visual Culture: Working with Deleuze in Film Theory. Stanford University Press.
Christopher Grau (ed.) (2005). Philosophers Explore the Matrix. Oxford University Press.
Christopher Grau (ed.) (2005). Philosophers Explore the Matrix. Oxford University Press.
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