Adorno’s critical materialism
Philosophy and Social Criticism 32 (6):719-737 (2006)
| Abstract | The article explores the character of Adornos materialism while fleshing out his Marxist-inspired idea of natural history. Adorno offers a non-reductionist and non-dualistic account of the relationship between matter and mind, human history and natural history. Emerging from nature and remaining tied to it, the human mind is nonetheless qualitatively distinct from nature owing to its limited independence from it. Yet, just as human history is always also natural history, because human beings can never completely dissociate themselves from the natural world, nature is inextricably entwined with human history. Owing to the entwinement of mind and matter, humanity and nature, a version of dialectical materialism can be found in Adornos work. Key Words: body dialectics Hegel history idealism Marx materialism mind nature Timpanaro. | |||||||||
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Rodolphe Gasché (2002). The Theory of Natural Beauty and its Evil Star: Kant, Hegel, Adorno. Research in Phenomenology 32 (1):103-122.
Samir Gandesha (2004). Writing and Judging: Adorno, Arendt and the Chiasmus of Natural History. Philosophy and Social Criticism 30 (4):445-475.
Italo Testa (2007). Criticism From Within Nature: The Dialectic Between First and Second Nature From McDowell to Adorno. Philosophy and Social Criticism 33 (4):473-497.
Deborah Cook (2007). Nature, Red in Tooth and Claw. Continental Philosophy Review 40 (1):49-72.
Camilla Flodin (2011). Of Mice and Men: Adorno on Art and the Suffering of Animals. Estetika 48 (2):139-156.
Max Pensky (2004). Natural History: The Life and Afterlife of a Concept in Adorno. Critical Horizons 5 (1):227-258.
Harriet Johnson (2011). Undignified Thoughts After Nature: Adorno's Aesthetic Theory. Critical Horizons 12 (3):372-395.
Alison Stone (2006). Adorno and the Disenchantment of Nature. Philosophy and Social Criticism 32 (2):231-253.
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