Art, nature, significance

The Philosophers' Magazine 44 (44):27-35 (2009)
Abstract
It is by now something of a cliché of Green discourse that environmental degradation and devastation is grounded in a sharp opposition – the legacy, it is often charged, of Christian metaphysics – between the human and the non-human, between the realms of culture and nature. If one is to understand, let alone endorse, the very general environmentalist ambition to dissolve the dualism of the human and the non-human, it is by questioning rather more tractable and particular dichotomies, like that between art and nature appreciation, where it would seem wise to begin
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