Feyerabend's Epistemology and Brecht's Theory of the Drama
Philosophy and Literature 11 (1):117-123 (1987)
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James R. Hamilton (1998). Bertolt Brecht. In M. Kelly (ed.), Oxford Encyclopedia of Aesthetics. Oxford University Press.
Arnold Brecht (1954). The Political Philosophy of Arnold Brecht. New York[Exposition Press].
Laurence F. Mucciolo (1973). Comment: Feyerabend on the Identity Theory. Mind 82 (January):111-112.
Spyridon George Couvalis (1988). Feyerabend and Laymon on Brownian Motion. Philosophy of Science 55 (3):415-421.
Harvey Siegel (1989). Farewell to Feyerabend. Inquiry 32 (3):343 – 369.
C. Fred Alford (1985). III. Yates on Feyerabend's Democratic Relativism. Inquiry 28 (1-4):113 – 118.
Steven Yates (1985). II. More on Democratic Relativism: A Response to Alford. Inquiry 28 (1-4):450-453.
Paul Edwards (1992). The Picture of Dorian Gray. L.A. Theatre Works.
Bertolt Brecht, Philip S. Foner & Anne Hornemann (1988). A Neglected Interview with Bertolt Brecht. Science and Society 52 (3):337 - 340.
Howard Sankey (1991). Feyerabend and the Description Theory of Reference. Journal of Philosophical Research 16:223-232.
Joe Winston (1999). Theorising Drama as Moral Education. Journal of Moral Education 28 (4):459-471.
Paul Hoyningen-Huene (2002). Paul Feyerabend Und Thomas Kuhn. Journal for General Philosophy of Science 33 (1):61-83.
Robert P. Farell (2001). Feyerabend's Metaphysics: Process-Realism, or Voluntarist-Idealism? Journal for General Philosophy of Science 32 (2):351-369.
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