Abstract

In March 1603 the mortal remains of Queen Elizabeth I, against her stated wishes, were ‘opened’ to enable their temporary preservation until arrangements for her funeral could be completed. That post-mortem office was performed by members of the Worshipful Company of Barber-Surgeons of London, to whom her father had first granted a royal warrant to retrieve executed felons from the public gallows for their ‘better learning’ through lectures in anatomical dissection. In this article, portraiture of Elizabeth that appeals to the notion of her as an embodiment of the sovereign state of England is compared with a contemporary portrait of an anatomy lesson being performed by the Barber-Surgeons, drawing connections between the dissection of felons under sovereign law and the violability of the sovereign (female) body in the liminal period between her death and the delayed formalities of ascension for James I.